Holo May KTE vs. Lampizator Atlantic 3 TRP vs. Mola Mola Tambaqui


I've had months of ear time with all 3 of these extraordinary DACs. Holo and Lampi I own, and Mola Mola was borrowed from a friend. My thoughts:

All 3 of these DACs amazed me in different ways, and are a serious step up from the Denafrips and Oppo DACs I previously had in my systems.

Mola Mola Tambaqui - This is the most detailed DAC of the 3. It has a way of being hyper-detailed without a trace of sibilance. It opened my eyes to how a DAC can drastically improve the 3D holographic nature of sound. Ultimately though, I did find long listening sessions fatiguing. This may have been a result of a the mediocre streaming setup I was running at the time (cheap Intel NUC running Roon).

Holo May KTE - I fell in love with this component within minutes of plugging it in. It was preowned and already broken in. I can crank the volume without being bothered by high frequencies. The weighty bottom end made it seem like I upgraded my amplifiers, my guess is this was a result of the overbuilt monster of an external power supply. Most importantly, the feel of the music and the natural tones got me so much closer to the music, in the same way vinyl does for me. This thing is a tank and has given me trouble free operation nearly all year, staying powered up 24/7. Immense value with this DAC, highly recommended.

Lampizator Atlantic 3 TRP - After unsuccessfully trying to buy this DAC on the used market, I turned to Lampizator NA to purchase new. It was a good experience and Rob ensured everything went smoothly and answered my technical questions. When I received the unit and got it running, the sound was atrocious, the worst component I've ever tested, cheese grater to the ear drums bad. I kept it powered up for weeks and it slowly got better. But still something was missing. I rolled the stock tubes with some Siemens F2As I purchased from a former Atlantic owner (he moved to Poseidon). Instantly the soundstage got huge and lush and I was hooked. This took it to a new level of analog-like sound. I often would forget I was listening to digital, I was just listening and enjoying. Later I tried Tesla EL51 tubes and added a Sophia Electric 274B Aqua II rectifier. These aren't quite as magic in the mids as the Siemens, but they improve bass impact and have beautiful sparkly highs. 

In conclusion, the Lampi wins overall due to it's realistic analog sound and holographic nature. The Holo May gets pretty close but in subtle ways reveals a small amount of digital etch, very subtle. The Lampi comes with a lot of trial and error however, finding the right tubes that work for you, with the correct adapters. The unit I ordered is balanced and has volume control. The volume control is okay, but has caused issues feeding an external preamp, which I'm still trying to sort out. If I could go back I would forgo the volume control, and would save money getting a single-ended unit instead of balanced. Single-ended uses 2 output tubes, balanced uses 4.

Getting a proper streamer (Innuos) has made drastic improvements to my system as well. I now believe a great streamer is just as important as a great DAC.

audio_bidder

@audio_bidder Sorry you had such trouble with your Lampi. I too bought new from Rob.  I was attracted by the Atlantic, but as a huge fan of the single ended DHT, I decided to go with the Golden Gate 3 with Engine 11.  It was perfect right out of the box, although I never used the tubes it came with.  I started with EML 300B, tried a few others, and ended up stuck on the 300Bs.  

I would love to compare to a Mola Mola.  I have a Chord Dave and at first I thought it had blown the DAVE out of the water and would never appreciate it again, but I've had several listening sessions, often to entertain visitors, and the DAVE is still an excellent DAC.  

I find the GG adds a lot of body and largeness to the sound of a non-DHT amp.  Now that I have a DHT primary amp, the improvements aren't as huge but I still love the sound.  

As for streamers, I have a Grimm MU1 that I love.  It developed an internal cable problem and Grimm said I should send it back.  Since they are in the Netherlands, I suggested they just send me a cable.  but they said mine is an early model and they want to bring it up to all the current revisions at no charge so I decided to send it.  Not difficult, only $117.  So it is off to northern Europe.  While it is gone, I am listening to my Innous Zenith Mk3.   Not sure what it is about it but it just doesn't engage me the way the Grimm does.   Still, I'm not complaining.

Thanks for your interesting post.

jerry

@carlsbad2 have heard great things about GG3. I’m very happy with the sound of the Atlantic 3, just need to sort out the connectivity issues. If I go anywhere it will definitely be up the Lampi line. 
So glad you weighed in on streamers. I had my eye on the Grimm MU1 but picked up a Zenith Mk 3 for a very low price. Next year I could sell it for a profit and pick up either a Grimm or LDMS server. I’m hoping someone has heard both and can provide a comparison. Do you run Roon on the Grimm? I’d like to run Roon on the Zenith but it sounds bright and thin compared to the Sense software. 

You left out the dac that bests the all the T+A 200 dac  my brother owns it ,the molo molo Waay over priced ,this is retail $7200 but can be bought for less , it has HQ player ability built in as well as several dither choices and a dedicated 1 bit for DSD 

add this in Holo May not as musical which I have heard side by side 

Lampi warm but too soft details lost vs the 200 dac do some research on it ,then get a in home audition.