Here is my experience with the PerfectWave transport (PWT) that I received a few days ago.
Nice and well built piece although the drawer makes an awfully cheap sound when it opens/closes. The touchscreen is a nice feature but with the unit I have received it flickers once in a while (intended?).
To evaluate the sound quality of the PWT I compared its music presentation with my 2-channel reference transport/Dac system consisting of a Forsell Air Reference MarkII transport and an Audio Synthesis Dac2 D/A converter connected to a Meridian G 68 XXD pre/pro. Amplifiers were Krell KSA-300S, speakers Apogee Divas and cables NBS or Transparent Audio Ultra/Reference. The power cables for the two transports were matched and provide balanced power from an Equitech power supply (50amp dedicated circuit). For the comparison of the transports I used the same Redbook CDs with Jazz, female opera singer, classical piano, violin, whole orchestra, and choir acapella music. The PWT was connected to the pre/pro in two different configurations: I first connected it via NBS Master S/PDIF digital cable with a digital input of my Meridian XXD pre/pro to provide the D/A conversion (24bit/96kHz) dacs. Alternatively I connected the PWT via an NBS Pro balanced digital cable with the Audio Synthesis Dac2 which in turn was connected to the Meridian pro/pro in the same way as the Forsell transport. So alternative one was "all digital" from transport to digital pre/pro, alternative two included an external D/A converter in addition.
For both pathways the PWT sounded detailed and with a solid lower range. Voices and solo instruments were presented with good texture and placement. The overall impression of the sound was on the bright side and not very lively. It was clean and precise, but somewhat 'sterile' (esp. live recordings). Unexpectedly the soundstage and the volume of the reproduction increased when the path with the additional external dac was taken.
The direct A/B comparison of the PWT with the Forsell transport with the same diverse music material revealed for both setups that the PWT cannot reach the sound quality of the presentation of the Forsell. The Forsell transport presents voices and instruments more solid in their position and more natural in their texture. There is more ambiance/detail in the presentation, it is significantly more lively and engaging. The differences were not subtle and an audience of several audiophiles could pick them up in a blind A/B session easily.
Although the PWT is obviously a very good sounding transport it is no match for the transport (Forsell) used in this comparison as a reference.
Nice and well built piece although the drawer makes an awfully cheap sound when it opens/closes. The touchscreen is a nice feature but with the unit I have received it flickers once in a while (intended?).
To evaluate the sound quality of the PWT I compared its music presentation with my 2-channel reference transport/Dac system consisting of a Forsell Air Reference MarkII transport and an Audio Synthesis Dac2 D/A converter connected to a Meridian G 68 XXD pre/pro. Amplifiers were Krell KSA-300S, speakers Apogee Divas and cables NBS or Transparent Audio Ultra/Reference. The power cables for the two transports were matched and provide balanced power from an Equitech power supply (50amp dedicated circuit). For the comparison of the transports I used the same Redbook CDs with Jazz, female opera singer, classical piano, violin, whole orchestra, and choir acapella music. The PWT was connected to the pre/pro in two different configurations: I first connected it via NBS Master S/PDIF digital cable with a digital input of my Meridian XXD pre/pro to provide the D/A conversion (24bit/96kHz) dacs. Alternatively I connected the PWT via an NBS Pro balanced digital cable with the Audio Synthesis Dac2 which in turn was connected to the Meridian pro/pro in the same way as the Forsell transport. So alternative one was "all digital" from transport to digital pre/pro, alternative two included an external D/A converter in addition.
For both pathways the PWT sounded detailed and with a solid lower range. Voices and solo instruments were presented with good texture and placement. The overall impression of the sound was on the bright side and not very lively. It was clean and precise, but somewhat 'sterile' (esp. live recordings). Unexpectedly the soundstage and the volume of the reproduction increased when the path with the additional external dac was taken.
The direct A/B comparison of the PWT with the Forsell transport with the same diverse music material revealed for both setups that the PWT cannot reach the sound quality of the presentation of the Forsell. The Forsell transport presents voices and instruments more solid in their position and more natural in their texture. There is more ambiance/detail in the presentation, it is significantly more lively and engaging. The differences were not subtle and an audience of several audiophiles could pick them up in a blind A/B session easily.
Although the PWT is obviously a very good sounding transport it is no match for the transport (Forsell) used in this comparison as a reference.