"I had to change to pivot alternative to reach the rigth bass range and to do this the second best alternative was and is use the Löfgreen alignments that puts that stylus tip nearer to what the LT does: NO MATTER WHAT. .."
That depends, doesn't it, on what a LT tonearm "does". In your opinion, it's the elimination of TAE. But the virtue of an LT tonearm could just as well be the elimination of the skating force. If you think the goal above all else is to keep TAE as low as possible, even if it means a significant increase in the skating force, then an overhung tonearm is just the ticket. If the goal is minimizing the skating force, then an underhung tonearm is preferable, when choosing among pivoted tonearms. Also, one could argue that the overhung tonearm does not come closest to an LT tonearm at any point in its arc; only the underhung tonearm achieves zero TAE and zero skating force, at its single null point. The overhung tonearm never gets near to the latter goal. Anyway, I apologize to anyone reading this thread. I hope I and some others who appreciate the Viv have convinced at least a few of us to approach the issue with an open mind.