AudioGon Forum in the Year 2074:
Audiophile 1: "Remember 'back in the day' when audiophiles used to argue over the sonic improvements of high end cables?"
Audiophile 2: "Yeah, cool.....What's a cable?"
Audio Cables: All the Same?
My patience has worn thin reading numerous postings by individuals who proclaim that anyone who spends more than, say, $30 on a cable is an “audiophool” and that the manufacturers who sell cables priced above that price are snake oil dealers. These people base their claims on two factors: (1) they can’t hear the difference between a cheap cable and an extremely expensive one; and (2) all cables of any quality whatsoever measure the same when tested.
I believe that these individuals have blinders on. Allow me to set forth a useful analogy – eggs Benedict. The recipe for them is simple: toast an English muffin; sauté a couple of slices of Canadian bacon; poach two eggs; and prepare Hollandaise sauce. After those ingredients are ready, put the Canadian bacon on the English muffin, stack the eggs on the bacon, pour Hollandaise sauce over the eggs (and possibly sprinkle a pinch of hot paprika over the sauce), and serve. Voila! Now, take two preparers – one of whom doesn’t give a damn how his eggs Benedict turns and tastes as long as he gets his $17.50/hour pay; and the other a supremely talented chef renowned for his exquisite preparation of egg dishes. I am willing to venture a guess that one of them will taste terrific, perhaps being the memorable highlight of a marvelous breakfast, and the other will be an awful mess, perhaps a composition of barely toasted and soggy English muffin, Canadian bacon so overcooked that the meat is like shoe leather, poached eggs like hockey pucks, and a severely curdled muck of a sauce poured over everything, followed by far too much paprika. That serving will also be memorable, but for a far different reason.
Now, here comes the chemist to test and measure both versions of eggs Benedict. He confirms that, upon his testing of the two dishes, he is able to state unequivocally that they are identical because both contain exactly the same ingredients and provide the same nutritional value. The fact that one serving is nearly inedible and the other is altogether delicious is irrelevant. After all, there is no science-based test for taste.
I propose the same is true for cables – there is no scientific test for what we hear.
Let me end my soliloquy by relating my recent experience with cables. A couple of months ago, I upgraded my digital system by acquiring a new SACD transport and a new DAC. Both components are widely considered to be extremely high end pieces of equipment (and priced stratospherically, too). At the time I did not replace the cables I had been using previously – an Audioquest Cimarron Ethernet cable between my 24 port network switch and my DAC, and Monster Cable M1000 analog interconnects between my DAC and my preamp. Frankly, I was dismayed by what I heard when I began streaming (Qobuz) music through my new DAC. The magic I had heard at its demonstration at AXPONA 2024 was non-existent. Maybe it was a bit better than my old DAC, but certainly not by much. One of the local audio dealers with whom I shared my disappointment suggested I try a really good Ethernet cable, handing me a Shunyata Sigma V2. This Shunyata cable contains two filters (one for EMI/RFI and one for common-mode interference) as well as several differentiators in how it is constructed. I really despise the expression oft-used by reviewers – “like a veil was lifted” – but that is what happened. The magic had returned. However, now I had another problem. Voices seemed to come only from a singer’s mouth and not also from the chest. With instrumentals, a certain fundamental (bass) element was missing. Overall, it was as if the entire frequency spectrum was tilted – lifting the treble and lowering the bass. I went back to this dealer. He recommended I try a pair of DH Labs Air Matrix Cryo analog interconnects between my DAC and my preamp. All I can say is “Wow!” The frequency spectrum had returned to its proper equilibrium.
I have now been using these new cables for a month. Their impacts are not the result of a placebo effect. Moreover, the last thing in the world I had wanted was to spend a couple of thousand dollars more for cables after I had already spent far more than I had planned on the SACD transport and the DAC. However, they had addressed and solved two very real problems. The Shunyata cable filtered out noise coming from the network switch; the DH Labs cable eliminated a frequency distortion inherent with the Monster Cable cable (which evidently had been masked by the predecessor DAC).
Before this experience, I had never believed that cables could be so important an element of an audio system. I always spent between $100 and $200 on them because, on the one hand I did not want to “chintz” and shortchange myself sonically, but on the other hand I was very skeptical that even spending that amount was fully money-for-incremental-value.
Since then, I tried replacing another Audioquest Cimarron Ethernet cable between my Nucleus+ and my network switch with a $500 Ethernet cable of another well-regarded cable manufacturer. I could not detect a shred of sonic difference between them. Thus, it has become clear to me that every cable implementation is unique; sometimes there is a discernable improvement provided by one over the other, and other times there isn’t.
In summary, having a preconceived notion about the value of cables (or lack thereof) disserves oneself. In some cases, but not all, there is a cable out there that will truly improve the sound of one’s audio system. It may be immeasurable, but it is, nevertheless, very real.
@waytoomuchstuff ....Ah, 'The Future'...Live it or live with it.... ;) Mho is the 'Cable Conundrum' will haunt the 'philes until some means of inter/intra direct neural 'enhancement' can be inserted into ones' cranium with variables that will make us all more entrenched and argumentative as to what works 'good/better/best' into the 'next best thing' comes along..... Btw.....how many 'mic drops' does it take to ruin the mic? And from how high above the floor? Does the mfr. matter? Should mics be made to withstand impacts? If I replaced all the cables in my midst, I'd have spent more on them than everything I own to use them with. Would it make a difference? Perhaps.... If not, I'd feel I was on a fools' errand that wouldn't be very satisfying, considering that expenditure was a waste, better spent on new/used that would have. If it did, see above; left with deciding to deal with feeling I'd been better off upgrading everything else, and dumping the lot..... ...end up making minimalism look like overkill..... Ignorance isn't necessarily bliss, but selection of what you've in mind v. listening for the flaws over just enjoyment of 'where you're at' can be it's own destination.... ...however transient it may be.... |
If this was a "Car Guy" forum on the subject of "Intake and Exhaust" (first started in 1955): FNDRSKURTS:: "I just took off the cast iron manifold and 2bbl Holley off the old small block and replaced them with an RPM Air Gap and 650 CFM AVSII. I can FEEL the difference in the seat of my pants!" PLDMETL: "I finally pulled the 1" single exhaust off the old '57 and installed custom headers, dual 2" exhaust and free flow mufflers. Pulls much stronger throughout, and sounds freakin' amazing!! BLEWBYYOU: You guys must be breathing in a little too much 93 octane. EVERYBODY knows that the CFM (cubic feet per minute) of air moving through an engine is determined by the displacement of the engine at a given RPM. All that fancy (AND expensive) ginger bread you bolt to those motors may change the thickness of your wallet, but have NOTHING to do with the performance of an internal combustion engine. FDNRSHURTS, what you're "feeling in the seat of your pants" is probably all that BS looking for an escape route. PDLMETL: I get it -- Loud AND Obnoxious. Looks like your inner 9-year-old wants to come out and play.
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