Best speaker brands for transient response


Hello all, first post / longtime lurker on here. I have really appreciated all I've learned from following threads on here -- much appreciated.

I've had three speakers in my house for a few years, and have learned that transient response is the quality I value most. I'm researching upgrade options and would appreciate recommendations on brands.

Currently I have KLH Model 3s, JBL 4305Ps, and JBL Studio 590s. The sealed KLHs are far superior in transient response / speed / attack. The 4305Ps are pretty good (I'm assuming because they're active) and the 590s, while they do a lot of things well, are relative laggards.

I am assuming that on average a sealed design at any given price point will outperform a ported speaker in this area of performance, but I'm sure there are important exceptions.

I'm also curious if more expensive ported horn speakers (Klipsch heritage line, or the JBL 4349 for example) may deliver equal or better in transient response compared to a lower cost sealed speaker because they're using better drivers, crossovers, etc.

Thank you for any feedback / ideas you have.

tommyuchicago
@deep_333 @phusis -- I am curious, what is it about JBL that makes you not a fan?

Definitely not trying to defend the brand -- I've been happy with my Studio 590s for their cost/value and love my 4305Ps. 

My biggest issue was the pricing jump from the 4309 ($2k) to the 4329 ($9k with stands). There's just not a passive model in between other than the L100s which aren't horns and just seem like a very different product. If they had a 10" passive horn model as an upgrade path from the 4309s to the 4329s I probably would have just defaulted to buying them and never would have started this thread.

JBL is more than fine in its price class. The Meyer Sound blue horn is in an entirely different price class (think $100k systems). 
 


https://odyowave.com/products/meyer-sound-bluehorn-system-stereo-2-channel-complete

 

 

@deep_333 wrote:

It’s about the optics, prestige, brand name snobbery and what not (other bizarre stuff)...or they heard 300 dollar plastic trash PA at the bar and made up their minds. Play anything full tilt and all their "prestigious" audiophile goober stuff just falls to dust. But, somehow, these guys are constantly talking about the real thing, live, 3D etc (boggles my mind).

I came to my senses a bit after i heard the Daniel Hertz M1, kills everything high end for my musical tastes...but, literally a Pro speaker with the ’audiophile approved’ pricing, i.e., only a measly 200k. Other seriously engineered core pro stuff is never heard of.

+1

@tommyuchicago wrote:
@deep_333 @phusis -- I am curious, what is it about JBL that makes you not a fan?

In some, pro oriented circles in particular I find JBL to be overly hyped. Focusing more on their domestic offerings they have very good engineers (as they do in their pro sector), but I dare say it mostly doesn't translate into the more intricate aspects of sound reproduction - even in their very expensive models where they lack that last bit of refinement, overall coherency and tonal accuracy. That is to say: the basics are very good, but I don't find them to be the complete, and musically satisfying/authentic package the price calls for.

Of their contemporary models I prefer the actively configured M2's and the flagship DD67000 Everest's, both of which are very good (would love to listen to the Everest's actively configured). My personal domestic favorite of theirs may be the now discontinued (maybe not for the Japanese market) K2 S9500 - which entered the market in '89, if I'm not incorrect - with the first neodymium magnet woofers in production, the 1400ND. They may not have been the most refined speakers around, but what they did other areas was remarkable, and those 1400ND woofers are quite staggering, indeed unrivaled today in vital areas. 

Their domestic speakers appeal to this segment with all that entails, but why go with a size-limited and expensively finished package when you can have physically more fully realized designs from their pro sector and from other pro brands, many of them older designs with better drivers and much cheaper at that? Give them some good amplification, configure them actively, accept their functional looks and larger size, and prepare to be surprised. Of course, we know most won't do that for a variety of reasons, but who dares...