Audio Cables: All the Same?


My patience has worn thin reading numerous postings by individuals who proclaim that anyone who spends more than, say, $30 on a cable is an “audiophool” and that the manufacturers who sell cables priced above that price are snake oil dealers. These people base their claims on two factors: (1) they can’t hear the difference between a cheap cable and an extremely expensive one; and (2) all cables of any quality whatsoever measure the same when tested.


I believe that these individuals have blinders on. Allow me to set forth a useful analogy – eggs Benedict. The recipe for them is simple: toast an English muffin; sauté a couple of slices of Canadian bacon; poach two eggs; and prepare Hollandaise sauce. After those ingredients are ready, put the Canadian bacon on the English muffin, stack the eggs on the bacon, pour Hollandaise sauce over the eggs (and possibly sprinkle a pinch of hot paprika over the sauce), and serve. Voila! Now, take two preparers – one of whom doesn’t give a damn how his eggs Benedict turns and tastes as long as he gets his $17.50/hour pay; and the other a supremely talented chef renowned for his exquisite preparation of egg dishes. I am willing to venture a guess that one of them will taste terrific, perhaps being the memorable highlight of a marvelous breakfast, and the other will be an awful mess, perhaps a composition of barely toasted and soggy English muffin, Canadian bacon so overcooked that the meat is like shoe leather, poached eggs like hockey pucks, and a severely curdled muck of a sauce poured over everything, followed by far too much paprika. That serving will also be memorable, but for a far different reason.


Now, here comes the chemist to test and measure both versions of eggs Benedict. He confirms that, upon his testing of the two dishes, he is able to state unequivocally that they are identical because both contain exactly the same ingredients and provide the same nutritional value. The fact that one serving is nearly inedible and the other is altogether delicious is irrelevant. After all, there is no science-based test for taste.


I propose the same is true for cables – there is no scientific test for what we hear.
Let me end my soliloquy by relating my recent experience with cables. A couple of months ago, I upgraded my digital system by acquiring a new SACD transport and a new DAC. Both components are widely considered to be extremely high end pieces of equipment (and priced stratospherically, too). At the time I did not replace the cables I had been using previously – an Audioquest Cimarron Ethernet cable between my 24 port network switch and my DAC, and Monster Cable M1000 analog interconnects between my DAC and my preamp. Frankly, I was dismayed by what I heard when I began streaming (Qobuz) music through my new DAC. The magic I had heard at its demonstration at AXPONA 2024 was non-existent. Maybe it was a bit better than my old DAC, but certainly not by much. One of the local audio dealers with whom I shared my disappointment suggested I try a really good Ethernet cable, handing me a Shunyata Sigma V2. This Shunyata cable contains two filters (one for EMI/RFI and one for common-mode interference) as well as several differentiators in how it is constructed. I really despise the expression oft-used by reviewers – “like a veil was lifted” – but that is what happened. The magic had returned. However, now I had another problem. Voices seemed to come only from a singer’s mouth and not also from the chest. With instrumentals, a certain fundamental (bass) element was missing. Overall, it was as if the entire frequency spectrum was tilted – lifting the treble and lowering the bass. I went back to this dealer. He recommended I try a pair of DH Labs Air Matrix Cryo analog interconnects between my DAC and my preamp. All I can say is “Wow!” The frequency spectrum had returned to its proper equilibrium.


I have now been using these new cables for a month. Their impacts are not the result of a placebo effect. Moreover, the last thing in the world I had wanted was to spend a couple of thousand dollars more for cables after I had already spent far more than I had planned on the SACD transport and the DAC. However, they had addressed and solved two very real problems. The Shunyata cable filtered out noise coming from the network switch; the DH Labs cable eliminated a frequency distortion inherent with the Monster Cable cable (which evidently had been masked by the predecessor DAC).


Before this experience, I had never believed that cables could be so important an element of an audio system. I always spent between $100 and $200 on them because, on the one hand I did not want to “chintz” and shortchange myself sonically, but on the other hand I was very skeptical that even spending that amount was fully money-for-incremental-value.


Since then, I tried replacing another Audioquest Cimarron Ethernet cable between my Nucleus+ and my network switch with a $500 Ethernet cable of another well-regarded cable manufacturer. I could not detect a shred of sonic difference between them. Thus, it has become clear to me that every cable implementation is unique; sometimes there is a discernable improvement provided by one over the other, and other times there isn’t.


In summary, having a preconceived notion about the value of cables (or lack thereof) disserves oneself. In some cases, but not all, there is a cable out there that will truly improve the sound of one’s audio system. It may be immeasurable, but it is, nevertheless, very real. 
 

128x128Ag insider logo xs@2xjmeyers

Oh, don’t you hate it when the post you are writing, including attachments, disappears because you tested the photo link in the preview and cannot go back? Shoot...again once more...

Top is new cable and below is replaced cable.

Replacement cable 1

Replacement cable shot 2

Replacement cable shot 3

Replacement cable shot 4

The replacement cable is a 2x6ga hot wire with double shielding over the previous cable. Sound went from rich to deep, from articulate to spacious in 3D. The KRIX Harmonix speakers driven by the Audio Research D240MKII are room-filling now. Surprisingly, this replacement cable is in my Marantz AV8805. It was as good as anything I’ve had, including PassLabs, Esoteric, and Krell, among others. Now if I could post a couple of videos I have on hand...to demo that not all cables are the same. 

It is very simple to see the difference cables make, simply do a frequency / amplitude and noise test with the old cable and with the new cable the difference is the difference. These aren't magical impressions that aren't measurable, audio is very easily measured unlike tase or some subjective sense. Sound is objective and easy to test.

 

@audioquest4life Thank you so much!  I appreciate someone who appreciates the effort I made in building a very good listening room.  The VS set up team took only about 1.5 hours instead of the allotted 5 hours because the room is sonically very good/easy to install speakers.  It doesn't hurt that the speakers have adjustable subs built in and both front and rear tweeter/supertweeter adjustments (total 7 adjustments per speaker without digital room correction.

I have learned the hard way what is important in audio cables for home use.

When my EAR 912/864/890 equipment was developed in the 1990s and early 2000s, electricity was so much cleaner with virtually no cell phones or internet or other more modern RF and EMI circulating.  Now, that equipment in the summer sounds terrible during the weekdays when the temps are over 95.  At midnight, the sound is superb.  On weekends, the sound is mostly good and blooms again at midnight.  A/C draw and cleanliness of the power lines during the weekdays is apparently at fault.  The EAR equipment lacks voltage regulation, unlike my other gear which replaced them.  At the time di Paravicini thought that a simple cap could take the ripple problem of voltage regulation adequately.  Nope, not now for certain.  

Tomorrow I will be testing my Lampizator Poseidon as a pre-amp during a weekday to see if it's voltage regulation can prevent really bad/flat/undynamic/boxy sound during weekdays that EAR gear suffers from in my neighborhood.  

Two nights ago, I tried the Belden/Blue Jeans LC1 interconnect for phono use.  I read that it has only 12.9 pf of capacitance per foot, very low.  It worked beautifully and has better highs and more out of the speaker sound than my prior boutique and very well insulated low capacitance phono cable.  Shockingly good (and slightly louder sounding mids and bass).  It just passes more information.  

fleschler

It is apparent that keeping RF/EMI in power cables away from equipment and from equipment infecting ICs and speaker cables is very important.

+1 This is my experience with RF/EMI. No waveform monitors needed. My ears were sufficient.

Cleaning up the rat’s nest of cabling was definitely beneficial - but only after establishing the foundation of clean power, quality power supplies and quality cabling.

I have many SR blue and purple fuses for sale now.

+1 Also sold my SR fuses.* But, I love my Synergistic Research Atmosphere Series cabling. Wow! I didn’t know my system could sound so good.

(*SR’s assorted tuning modules offer more SQ options.)

My audio system is like my kitchen.

Cables and cords is like my seasoning, spice containers in pantry