Bi-amping in a truly high-end system, that has already achieved the level of being highly resolving by virtue of the speakers, amps, and pre-amp is generally a waste of time and money in my experience. However, the one EXCEPTION I have experienced is when one particular amplification set-up may be great for the lows, but not so much for the mids and highs. Long story short, depending on the genres of music you listen to, and especially, if you listen to music with lots of acoustic instruments regardless of genre, you might find that a solid state amp is perfect for achieving tight, punchy low end, but not "gentle and sensitive" enough to correctly re-produce the subtle nuances of various acoustic instruments and vocals, where tube amp might do a better job. Of course there are other technical issues to be considered (ie, impedance mis-matches, etc), so the bottom line is, make certain you have a competent sales/technical rep who knows what they are doing....to go in the bi-amping direction creates issues that one generally never has to consider in a non-bi-amped set-up. Finally, this can become a frustrating (and expensive) situation if you fail to do adequate research concerning your existing system’s parameters.
Am I wasting money on the theory of Bi-amping?
As a long time audiophile I'm finally able to bi-amp my setup. I'm using two identical amps in a vertical bi-amp configuration.
Now me not fully understanding all of the ins/outs of internal speaker crossovers and what not. I've read quite a few people tell me that bi-amping like I'm doing whether it's vertical or horizontal bi-amping is a waste since there's really not a improvement because of how speaker manufacturers design the internal crossovers.
Can anyone explain to a third grader how it's beneficial or if the naysayers are correct in the statement?
- ...
- 118 posts total
- 118 posts total