Retip or try new

Even if the cartridge can be retipped, given its age, consider that it may need work on its suspension, etc. I don’t have experience with your cartridge, but it looks like it sold for $3K new about 30 years ago, which is a handsome price for a cartridge then. If you do get it looked at, make sure you go to someone who can overhaul the cartridge completely rather than just look at the cantilever and stylus. 
 

I’m not confident a Hana ML would outperform it. I do like the Audio Technica ART9 series a lot and would recommend it over any other cartridge $1500 or less. I have compared it and preferred the ART9 over more expensive cartridges in the $5K range like the Dynavector XV-1S and Koetsu Rosewood and preferred the tonality of the ART9XI. Unless you have a top-notch phono stage that provides a serious amount of gain with low noise, I highly recommend the XI over the XA. It takes a lot to get lifelike presence with the lower output XA in my experience.
 

The ART9s are generally just a bit on the warm side, but they have excellent detail retrieval and separation and sound quite good with classical. I use one of the newer ART20 on a Pure Fidelity turntable I have on display in my shop, and that has a bit less warmth (more linear) and is more resolving than how I remember the presentation of the ART9 to be. That might be more fitting for classical, but it’s definitely a more costly cartridge unless you find it on the used market. 
 

blisshifi,

Thanks for your suggestions on ART9s. My phono pre is Pass Xono, which provides 71db gain (SE, or 76 balanced); thought it would be good enough for XA. ART20 seems to be in a different league (price wise at least)- given that I have different life priorities these days I would be happy with something lesser but still descent.

Being the owner of Cart’, makes one the better judge of whether the Cart’ is a fit for the purpose Donor Model. I have took punts on Cart’s 20 Years Old and a little newer, where the Third Party Service Inspection has discovered the model sent is a Cart’ that is able to be worked on.

Worked on Cart’s have been compared to same model designs with low hours use in original condition, and the worked on Cart’s have shone as much more attractive in use.

Dampers do lose properties from when first put into a Cart’ especially over the period of years. Also Dampers wear, Light and Oxygen will degrade it. Ozone exposure eats the rubber, where it can look like a Parasite has been living off it.

The Good News is Rubber Compounds have come on leaps and bounds, there are today really high quality rubber ideal for damper duties. A New Damper supplied  and Wire Tensioning produced to the Cart’ Tech’s preferences, will be a solution for producing a Cart’ that has the potential to really impress.

Read the endless accounts of the best I have ever heard it, following a listen to and follow up report on a returned Cart'.

I calculate from what I know, $450ish should be the ball park in costs and shipping either way.

New Carts Have new Base materials, new coil windings etc. Depending how much you have invested into the table, a new cart may be the way to go? I bought a Marantz Table with a decent cart used for $1500.00 I invested $2000 in a new Audio mod series 6 tone arm, and $2500 in a Goldring Ethos SE cart. I am set. The table is a clear audio table made for Marantz so i have a decent table to start with.