What Power Amplifier Should I Buy?


I am looking to increase my system power. I currently am using a Bryston 2.5B cubed, which is specified at 135 Watts/CH. I am using Revel f208 speakers crossed over at 120 Hz to a 15" HSU sub. The f208 speakers have 88.5 dB sensitivity (Amir measured 88-89dB SPL at 1W into 8 ohms). I sit about 7.5 feet away from the speakers and listen up to 92 dB SPL, but mostly stay between 80-90 dB SPL at my listenin g location.

I have not had power issues. I've never seen a clipping light. I just want more oomph. I've never had a power amp with more power than the 2.5B cubed.

My budget is about $5K. I have been looking at some used 4b cubed amps.

My preamp is a vintage ML No. 38s. Digital from Bryston BDP-3/BDA-3 combo. Analog using Koetsu RS and Shelter 901 cartridges into an SUT (20x) followed by a very vintage Paragon System E used as a phono preamp (I have fully repaired this preamp, particularly the power supply).

I like the sound of the 2.5B cubed. I had a Cary 120 tube amp for some time, but grew tired of the heat and the continuous maintenance, including the insane prices for tubes. I did not experince that great "tube sound" that others rave about. I sold the Cary and went back to the 2.5B cubed.

Will the 4B cubed disappoint?

What other amps should I consifder, new or used?

Thanks for your help!

 

128x128Ag insider logo xs@2xkevemaher

I have three ideas for you but one was already mentioned. Adding a second complimentary subwoofer would help. It's adding more watts, more sound and also taking some load off your main amp (which you like). When I did this, it really opened up the overall soundstage and I felt more amp was producing more realistic organic sound. The second idea I offer is to do the first thing (add second subwoofer that is the same model) and add mono amps of the kind you have. Bryston makes good amps, and if they offer mono amps, I think that would keep that good sound you stated you like. Third idea is to change speakers. I know this maybe a less popular idea, but the facts are some speakers are MUCH easier to drive than others and still sound great. I have had my share of speakers and that is simply an easy solution. Good luck.

Two things come to mind.  The vintage pre-amp may not be up to the task. Ensure that you choose a preamplifier with 2 outputs.  Ultimately consider bi-amping, running the Bryston's on the low-end and something else on the tweeters.  Could be another stereo amp or monoblocs?  You have options with the Bryston's like "jimmy2615" stated.

 

@jimmy2615   @perazzi28 

I've talked to Bryston about bi-amping. They recomment against doing it because the speakers drop below 4 ohms at the xover to the highs (2.2 KHz), although they hedged saying I moght be OK because there's not much power/current needed at that frequency.

I'm not taking that chance.

Biamping will give me more power only if I use two outputs from the preamp. Not very many preamps have two (balanced) outputs. The ML 38s doesn't. But the Bryston BP-17 cubed does!

What's the word on this preamp? I've looked at it before thinking I would try it or the Benchmark LA-4. I wound up getting a Cary tube power amp. That didn't change the sound very much, so I went back to the Bryston amp.

 

 

@scm I deliberately crossover at 100-120Hz because of a nasty room resonance at 40Hz. This creates a big dip at 80Hz that can't be EQed away very effectively. This dip is very strong with the f208 speakers. It is much smaller with the sub. I've placed the XO frequency a reasonable distance from that resonance. I've used REW and other tools to guide me.

I've listened to sub only at 75, 100, and 120 Hz. I cannot hear voices at all. Frequencies below 200 Hz are radiated into a half sphere, with no dependence on angle. How can this muddy the sound?

Of course, I could be wrong. Could you explain how this higher XO frequency creates muddiness? Thanks.

Two subs may be the way to go.

@kevemaher thats why I recommend not using them as monoblocks, which is what Bryston is talking about. In this case they are bridged and each amp becomes one channel and doubles the power into 8 ohms. Try to find specs though on what they put into 4 ohms when bridged. It’s not recommended for speakers like Revels.
If you use one channel though from each amp to power the highs and lows of a speaker you let the amplifier ‘see’ a much easier load than if it was powering the whole speaker, and offering much more headroom. Active speakers (like ATC) have an amplifier for each driver in the speaker. You’re right, and as I mentioned in my first post you need a preamp with two sets of outputs or you can get a y-splitter for your preamp. Incidentally, when I had two 2.5s I tried them in this configuration as well as bridged monoblocks, powering the Revel 228 Be. It sounded ok as monos but not as good as the other way. A bit muddy. And two amps definitely sounded better than one, but the difference was not huge.

I don’t think you could go wrong with a 3B or a 4B, but I was looking at it from a price perspective. Probably cheaper to pick up a used 2.5. But also, from a power perspective, 2 smaller amps may be better than one larger. The 2.5 is conservatively spec’d. It’s basically a 150/300 w amp into 8/4 ohms. So biamping, at 4 ohms you’re getting 300 w/ch into the mid and tweeter, and 300 into the woofers, and each amp channel sees an easier impedance load. With something like a 4B you would get 500 w/ch into each speaker and it will see the combined load of the whole F208.