Ralph makes a very good point about the percentage of screen taps and their relationship to the effectiveness of UL operation. In an earlier post I referred to the original "Musician's Amplifier," the first iteration of the the British Williamson amplifier proposed by Sarser and Sprinkle. It employed tubes and transformers more readily available on the American market. In 1952, when Hafler and Keroes published the first "ultralinear" Williamson, Sarser and Sprinkle noticed that the output transformer they chose for the "Musician's Amplifier," the Peerless S-265-Q, had primary taps that could act as 50% loads for the screens. They urged hobbyists to convert their "Musician's Amplifiers" to "ultralinear" operation by some simple changes to the circuit.
In fact, while the 50% taps of the Peerless transformer are not *ideal*, they actually brought the output tubes just a hair closer to true triode operation while doubling the power output. Having built this amp myself, I can tell you that the result, despite its flaws, is quite beautiful.