Can Mac/PC compete with High End CDT??


Dear All,

I want to believe (do you?) that the Mac or PC approach can work, at least be good enough. Being that my prime source is analog digital music is secondary but at the same time compulsory for recent and actual recordings.

Reading reviews and opinions floating around online I was curious to hear for myself in a high end system, a sort of A/B singular test was needed; away from commercial pressures and inexperienced ears.

Full of great expectation I head to a fellow audiophile's den, both of us motivated to get to the bottom of this question ourselves.

So we got ourselves organized and ended up with a promising menu: Esoteric P0, Weiss Dac 2 D/A converter, Mac with Amara/iTunes then Kondo Dac with the Esoteric P0 and then Weiss Dac 2 D/A converter using fire wire interface from Mac/Amara/itunes via the Kondo DAC.

All the “virtual music” was obviously uncompressed format.

Preamp Absolare, amp New Audio Frontiers Ref 845 and Acapella Triolon Excalibur and some very good cables.

Being used to the sound of Kondo electronics and Goto horns that furnish my listening room, fed by micro seiki SX8000, CEC TL0x Cd transport at 1st I must say that I was disappointed with the sound that the P0 was delivering via the Weiss Dac.

I will not be long-winded here: this was not good. The sound seemed broken, out of pace, lousy trebles, one-dimensional bass and very nasal voices.

The resolution of the electronics and speakers told the cruel truth in this 70m² dedicated listening room. No fine-tuning I have ever encountered could solve this even with the widest stretch of imagination.

So the Mac/Amara/iTunes? Okay no gain no pain! Here it was no pain all gain, I mean, it sounded the same including the flaws but with the added advantage of mac based music selection as opposed to cd loading. This seemed promising, made me jump to the conclusion that the culprit was the Weiss DAC, not the fire wire interface.

So in goes the Kondo DAC driven by the P0, okay! I will lack vocabulary here it is truly amazing. My host and I within the 1st seconds looked at each other, not even in the listening seats, we agreed with each other without saying a word! Then we let the CDs play on, simple as that!

We kind of played around here knowing deep down that the next step was the “juge de paix” (for those who don’t master French that is “peace judgment”).

So we wired the Weiss Firewire/spdif interface to the Kondo Dac using the Mac/Almara/iTunes.

As it stands I had spoken to Daniel Weiss (owner/designer of Weiss Audio) a few days before and he explained to me that CD transport and Mac/PC was fundamentally the same thing; delivering 0 and 1 and the interface was just passing those 0s and 1s to the DAC.

So? I may have to repeat myself here : The sound seemed broken, out of pace, lousy trebles, one dimensional bass and very nasal voices.

The Kondo DAC was telling us all about the sources. I walk way from this with knowing that Mac/PC is not ready to replace a CD transport in high end system dedicated to experiencing music and all the emotional treasures that it has in store for us to enjoy.

So what does this mean? I think that in certain preamp/amp speaker combinations the hard disk be it mac or PC may work and certain reviewers will confirm this. However, if that system resolution comes to change, that its goes up the ladder, then the flaws in this approach will become apparent.

It would be advisable to ascertain your future with music and the associated audio equipment before marching towards the immaterial virtual music world.

Well a good friend of mine who hides in the shadows of the Bavarian landscape warned that no hard disk system could compete with the better CD transports, he is perfectly correct!

Tim
soundlistening
Kijanki, no I am talking about the magnetic field caused by the signal current flow within the component.

Tvad, now many professional recording studios have you seen. When you were in them did you see many highend power cords? I see that is one of your concerns at present.

Why would recording studio use have relevancy to this discussion? I suppose that you know most are now out of business as most popular music releases rely only on digital mixing of often home recorded digital tracks. There is very little capturing of recording sessions in studios.
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TVAD, I have only seen one in Nashville. I was heavily treated with real monitor speakers and extended bass and good balanced cabling.

In fact, there is still a good deal of studio recording happening in Hollywood, although there are many home studios as you say. I have seen a few home studios as well. They are not as well treated acoustically as are the professional studios, but sometimes the lack of acoustic treatment in the home studios is purposeful.

Or because they are indifferent to capturing a performance and only interested in a recording that is loud and which can correct for their being out of tune.
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"Kijanki, no I am talking about the magnetic field caused by the signal current flow within the component."

I'm not questioning that vibration of electronics might affect the sound somehow, but saying that "it seems logical" that soft bass comes from soft footers is plain stupid.