Wyred DACS


They released the final specs for their DACs last week. Shipping this month. Anybody order? The DAC-1 is quite reasonable, but not upgradable to the asynch-USB, which the DAC-2 has. The DAC-2 also has the I2S but I don't know what it's gonna connect to.
cutterfilm
I also have been following this thread as well as the one on AC, and I appreciate its approach and the quality of membership contributions. I understand everyone's qualifications concerning their appreciation of the several DACs discussed.

Having said all that, and because I value that approach and those values, I was wondering if anyone could create a ranking from their point of view concerning the various DACs.

Let me explain myself. I am especially sensitive and irritated by upper mid/lower treb sibilance and glare. When I hear that, regardless of its various phenomena, the enjoyment of music collapses into annoyance and avoidance.

As I read the thoughtful analysis here, I think I'm reading that some members think that the Wyred DAC2 and the Tranquility are highly competitive in many essential respects, but in the area of my concern, the nod appears to go to the Tranquility. I sincerely hope I am not misreading here. My apologies if I am.

Mention has been made of more expensive DACs (ones more expensive than the Wyred DAC-2 and the Tranquility) that solve/address this problem and have the virtues of the Wyred and Tranquility. I am aware of the Ayre Qb-9 being mentioned, perhaps here or in AC.

My question, beyond the Wyred, the Tranquility,and the Ayre, what are others under 3k US$ that members would recommend for consideration?

I use a MacMini, with RSA Alethias USB, and AIFF files into several systems through an iRoc DAC. This DAC works very, very well with two of my systems in all respects; however, on my highest res system, its limitations reveal themselves frequently enough for me to continue my search and exploration.

I have enjoyed the iRoc over the years, have tried other DACs against it, have found some to be a little better and many a little worse, but have not found one that is so much better that I can justify the time, money, and aggravations of change.

DACs seem to be highly system dependent, and the prospect of buying one and taking the time for burn in and cabling to "fit" has seemed very unappetizing. But now I am interested in exploring this further.

My apologies for the long-winded post.

:) listening,

Ed
I am especially sensitive and irritated by upper mid/lower treb sibilance and glare. When I hear that, regardless of its various phenomena, the enjoyment of music collapses into annoyance and avoidance.
I couldn't agree more. Glare and sibilance are show stoppers.
My question, beyond the Wyred, the Tranquility,and the Ayre, what are others under 3k US$ that members would recommend for consideration?
Bel Canto DAC3 and DAC3.5 are excellent sounding. I'm sure there are others, but I haven't heard them.
If you are extremely sensitive to sibilance and glare then I believe the WFS will not be your preference. This is not to slight the DAC - it is very hard to make a DAC that will synergige in everyones system to their taste. The tranquility will be a better choice IMHO for you. It was instantly competitive with a very expensive reference DAC that was describes this way:
'But let me say the things a beast ! I’ve spent time with a full DCS stack and I can tell you the Connor24 smacks it down simple as that. The 24 is a DCS stack with a velvet glove.'

The Tranquility really is a hard nut to crack. The reason you may prefer the WFS is if you prefer the following type of presentation as described by one person at the shootout:
'An amazing amount of detail, excellent tonal consistency and powerful bass. But it sounded like you were playing a CD and there were electronic artifacts in the form of a mid treble glare that intruded. Grey background. Microdynamically restricted. However its combination of consistent tonality and detail was impressive in a hifi sense and I can actually believe that some listeners might place this as their favourite.'

Thanks
Bill
Cutterfilm wrote:
I'm going straight from my DAC-2 to my Musical Fidelity A3.2cr amp and it's sounding a little harsh in the upper register.

Do you notice this harshness more when using lots of attenuation, or is it present equally throughout the DAC2's entire attenuation range?
Can you discern any (other) changes in sound quality as attenuation increases?
I may be getting this DAC some day and would like to know more about the attenuator's audible characteristics. Thanks.
Yea it makes sense. The reason I up-sampled everything to 192/24 is I thought it reduced the sibilance control issue better. But what I found was the mac operating system was better, and with further experimenting I found Play with no up-sampling sounded better again - clearer and more neutral to my ears. However interestingly today when we checked out Play on the Tranquility one of the guys thought the bass was a problem. My advice is to suck it and see.

Thanks
Bill