OK, just quickly reread the review. I see that you were simply playing redbook material that had either been upsampled to 24/192 or left at 16/44. This is completely different from comparing 16/44 vs. higher-rez data. No suprize to me that 16/44 that is internally upsampled in the Sabre sounds the same as 16/44 upsampled to 24/192 and then further upsampled by the Sabre sounds the same. It's essentially the same data.
On my quick re-read, I did not see that you actually listened to any hi-rez data, yet you surmize that hi-rez has now been rendered moot by the existence of 32 bit dacs.
You should really listen to hi-rez through this thing before commenting that there is no advantage to using hi-rez files vs. 16/44.
-Mike
On my quick re-read, I did not see that you actually listened to any hi-rez data, yet you surmize that hi-rez has now been rendered moot by the existence of 32 bit dacs.
You should really listen to hi-rez through this thing before commenting that there is no advantage to using hi-rez files vs. 16/44.
-Mike