Thanks for the actual link, @junebug. So much good stuff there.
Re: the sibilance/mistracking/tonearm issue, every one of my cartridges have suffered from excessive sibilance for many years. But J.R., focusing instead on tonearm bearings, recommended to me the $2000 fixed-headshell Korf arm as a "budget reference" alternative to Kuzma-class models. I installed one of these extraordinary tonearms last night per WAM’s procedures and, holy cow, for the first time, the level of sibilance and vocal distortion on my most challenging sibilance-test material (like Cat Stevens’s "But I Might Die Tonight") did not exceed that of Tidal’s remastered FLAC streams. Jeez, I’d been listening to the wrong advice & chasing the wrong problem for years.
I realize that mileages vary, so here's what else was in the signal path: a George Merrill-built "GEM Dandy" Polytable Signature, DS Audio E3 optical cartridge & equalizer (no phonostage, of course), $19K T+A amp, Harbeth speakers, & decent four-figure cabling, with power supplied by an Audioquest Niagara conditioner & power cords. So not exactly Fremer-class XVX + Dartzeel, but still in a class with, I suspect, what many Audiogon users listen to. On this system, the improvement in this area was dramatic, impossible to miss.