Benchmark dac - why such diverging opinions?


I'm puzzled.
Audiophile sites and magazines continue to rave about the benchmark dac (HDR, USB, pre,...). Perfect rendition, studio quality, unbeatable value,...

Yet criticism stacks up high on many blogs. Too harsh, not musical enough,...

Why such divergence? Does its popularity make it the one one loves to hate? Are magazines just biased in their reviews? Are audiophile bloggers not good judges of quality. Are those considering buying a dac at that price having sub-par components whose imperfections the benchmark dac amplifies, while those going higher end don't consider the dac adequate vs a berkeley or weiss? Where is the catch?

I ended up buying a w4s dac. I considered the benchmark yet never had the chance to audition it.
mizuno
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Any component with an audiophile audience will draw a wide range of responses. You can find critical commentary on just about anything (Wilson speakers, anyone?)

Why worry about it? Either your system does what you want it to do, or it doesn't.
The reviews which are done by 'professionals' very rarely if ever criticize or give a negative review of anything they review. That is why many of us do not put much if any stock in the reviews or the resulting listening comparisons. The most glowing reviews also seem to consistently come from the publications that accept advertising and receive their income from said advertisements. Can you put two and two together? It is a symbiotic relationship. Has been and will continue to be.

The same, unfortunately, can be said for many hobbies that have trade publications that do reviews of products.(autos, computers, home improvement tools, photography, etc). Everything gets 4 or 5 stars and we all know that is a bunch of crap!

Marketing and sales keeps everyone employed...its part of the business model IMO.
I also auditioned a Benchmark HDR at home several months ago. Like a lot of people, I found it too lean in the mid-bass, and while the treble was impressivly extended, I found I didn't really like the sounds that were revealed "way up there" (I believe in a live situation that extreme treble frequencies never make it to the ears. I remember a cartoon showing two audiophiles walking out of a concert and agreeing, "Not enough treble!".) I did like the exceptionally clean and bell-like midrange. Also the sound was very immediate and "quick". I really wanted to like it more because it's such a cool piece of gear, but it's not really how I want to hear the music.

Maybe it's an issue of "you can't handle the truth!" Maybe all the other equipment I like is plump in the mid-bass and rolled off on top. Quite possible given that I gravitate towards tube gear.