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Any one compared a Lampizator to Weiss 202 DAC?

Hi, I'm looking for a great DAC, and am auditioning a tube based Lampizator Level 3 (list $3,900) and it sounds terrific. I'm also thinking of going up to the Lamp level 4 (list $6,000) or the Weiss 202 ($5,400 or so on Audiogon). The more money is a big push but I'm completely digitally based (CD and Mac Mini) so over time it may be worth it. Any body hear the Weiss and the Lamp and have notes on what the differences are? Thanks.
ldworet
glory's avatar
glory
1,614 posts
 
Some guy named Norman made the front part of the review.
Wonder who he is? =8^D
rilbr
100 posts
 
I would not say shootouts are completely useless, but they are flawed unless the cables and other components are optimized for each DAC (or other components of a shootout).

The wrong cables will kill a component's sound. I've done this many times; taking my best sounding cable for one component and put them on the new component, only to get terrible sound. This also applies to Transport-DAC combinations, Amp to speaker combos, etc.

Many DACs sound better with a really good preamp, even though they can be connected directly to the amps. Put a different DAC in, and it may sound better without the preamp.

So the people doing the shootout, really have their work cut out for them, if they want to be thorough.
wisnon
700 posts
 
New reviews:

http://parttimeaudiophile.com/2012/01/0 ... vel-4-dac/

Impressive stuff.

and

http://www.theaudioeagle.com/columns/da ... rison.html.
Wisnon
Club Member

jimaxp
25 posts
 
Yes. The Weise is more precise and clinical in the Benchmark style (and many like that) while the Lamp is more musical and full-bodied - solo voices are more rounded and 3D for example. The Weise has more clean "air" around voices and instruments, but the Lamp fills that air with a more holistic ambience, natural reverb. Take your pick.

PS People who badmouth shootouts have probably never attended one.
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