Trelja in New York


Well, here it is. My own personal show report. I guess I should be ashamed of myself. Taking up all of this space and all. First, I regret that I did not meet anyone from Audiogon at the show. The show had a MUCH larger attendance than I ever could have anticipated. I mean it was gigantic. And many people there had no idea about high end audio. Second, my lucky day! While I was standing in line to purchase a ticket, a guy announced that the show sucked, and was offering to give his away. Guess who the lucky recipient was? Well, I was able to save the price of admission. I did give my $4 coupon to the guy behind me. Now, for the show... I was disappointed in the sound of most of the rooms. Other than exhibitors displaying on the 2nd and 4th floors, the rooms were just too small. It was a joke. Virtually everyone displaying on the 9th, 10th, and 42nd floors were in bad rooms. Especially, those on the 9th and 10th floors. These manufacturers simply overpowered the rooms they were in. Sound was horrible. One exception to the "too small room" set was Talon speakers. A lousy sounding speaker in my opinion. Thin, weak, and underpowered. Anemic. They definitely get the "all show, no go" award. This is a speaker with a 5 digit price tag? I wonder how someone who owns this speaker feels. They were eclipsed in the "biggest disappointment" category however. By none other than the $85K Dynaudio Evidence. Yes, they play loud, and without strain. That is the best thing I can say about them. But, they need to go visit the Wizard. They have no heart, or soul. These two speakers are proof positive of two things. One, you don't have to spend a lot of money to get good sound. And two, brains and money do not necessarily go hand in hand. Next up for duds was the Creek demo. Nice turntable, but their amp/speakers were terrible. I have heard Creek amps sound a heck of a lot better. Poor job by a good company goes to Rogue. I forget the other companies in their room already, and they should take my lead. Their electronics are a bit pushy, and need to be mated with speakers and cables which are more mellow. It was not the case here, and the sound was bad. Linn was also getting poor sound, despite the fact that they were in a good room. Too much bass and brightness. Are they going for the boom and sizzle crowd? Silverline and Triangle speakers can sound much better than they did at this show. And what is going on with Alon these days? Here was a great speaker company. Their new products seem to be aimed squarely at Donald Trump and Fabio. Expensive would be a supreme understatement. What happened to this company, with its value oriented philosophy? They would dominate just about any room. Nice treble coming from the Raven tweeter. Guess that answers our questions. Seems to be a great, high sensitivity tweeter. Should we think of this tweeter for the SET crowd? Another disappointment, Red Rose Music. They are coming hard, but give them a good listen, and see that if you stop listening to what they tell you you are hearing, the sound is definitely not worth the asking price. Don't believe the hype. Nice treble though, ala the ribbon tweeter(just like Alon). One more. Whoever that horn speaker company is who was in the Atma Sphere room, please GET OUT of the speaker business. Now. And Atma Sphere, you did yourselves a tremendous disservice by teaming up with that company. Fundamentally flawed is all I can say about those horns. Speaking of horns, I was not able to listen to the AvantGardes(ran a demo every 30 minutes), one of the few I could not hear. As I said, most of the sound was bad. I wonder how I would feel if I was showing my products with this kind of sound. Mortified, I think. OK, enough griping, let's get to the winners. First up is Trelja's "Best of Show" award. It goes to the Vandersteen 5s, driven by the new Cary V12 amps. By a landslide. A LOT of companies should take a lesson from what these guys are doing. Impressive. Most impressive. Next up is "Most Stunning" component. This one is also a landslide. The forthcoming Western Electric 300B amps. Yes, you read that right. Art deco. They are not yet operational, but coming in the summer. Just let me put it this way, if they sound 25% as good as they look, they will be the best amps you can buy. And, actually a bargain at $16/pair, complete with WE300B tubes. JMLabs speakers sounded great. These guys are pros. Coincident took the "Best of Show" on one of the tough floors. I know I may seem to lack credibility on this one, but it is true. They did not destroy their sound, and that was enough to earn them the Blue Ribbon. The word smart comes to mind when thinking of the Musical Fidelity room. Unlike Rogue, they mated their products very well. Enough so that the whole system sounded warm and full, despite the new MF line being more neutral and analytical. These guys understand what good sound is. They used Analysis Plus cabling, and it was good(Megasam knows a good combination when he hears it). Merlin speakers struck me as something to try to hear more of, despite not sounding well in their rooms. Cary amps sounded good in most of the places they were playing. Mirage sounded good to me, despite having one of the empiest rooms in the whole show. The Joule Electra room(I forget who they teamed with) fell into the same group as Merlin for me. Not spectacular at the show, but I would like to hear them in a better setting. Dick Sequerra was a prince to me, despite being a God in this industry. Israel Blume was also stellar, though he is not yet a Dick Sequerra. All in all, not a bad time. Just that there were far too many people to be able to give some companies a really good listen. I think less attendance would be a boon to people like us. We would be able to focus more into every room. Hope everyone else who went enjoyed themselves.
trelja
Thanks to everyone for both the support and the criticism. As I reported previously, I simply reported my own impressions. Good or bad. If anyone has a problem with them, that is fine. You can either accept it or reject it. But, you will be getting it from me. I don't care who you are, I will not sugar coat something. I hold the high end manufacturers to a high standard. If you have a problem with that, tough. If I step on some toes, that is OK. Not everything in life is perfect, or deserves praise. I did praise those who I felt worthy of it. Likewise, I torched those worthy of it. No excuses. No apologies. As Joekras states, we are East Coast guys. We tell things like they are. If you are into BS, I am sure you can find those people too. From what I see, the vast majority of what I have stated has been echoed by others who either attended the show, or have experience with the product. That tells me I am more close to the mark than I am far. Those opinions are coming from some of the most respected members of this site. I don't think I can be unhappy about that. I'll put these people up against ANYONE in this industry. There will always people who don't want to hear whatever message. Some more opinion... The Talon speakers have been trashed by many here. We all have basically the same opinions of them. That should speak volumes. Sean's analysis of how the speakers measure mirrored my impressions perfectly. I will again ask, this is a speaker with a 5 digit price tag??? I haven't heard them broken in, but from the way they sounded at the show, they have created a lot of hype(in Stereophile and on Audiogon) over an inferior(yes, you read that right) product. I am confident anyone with a good sense of sound would not plunk down that kind of money for such a speaker. Their finish is excellent, their design is beautiful, their ad copy first rate. The sound at the show was HORRIBLE! I buy a product based on how it sounds, not how great the finish, design, or advertisements are. If the speakers were not broken in, and do sound much better than they did over the weekend, the people at the show should lose their jobs. I know if that was my company they would. They just cost me A LOT of business. Now, on to Creek. This is a Stereophile Class A rated integrated amp that they decided to pair with a decidedly inferior pair of speakers. What came out? Bad sound. Suprise? No. I gave Creek a compliment by saying their stuff can sound much better. Whoever made the decision in pairing that amp with that speaker did the company a tremendous disservice. Maybe they should lose their jobs. The point of a show is to make your product sound as good as possible. So maybe a person with no local dealer will have his interest piqued enough to buy. I am lucky enough to have my dealer carry Creek. I know what it can do. This was not that. Now who appears in a worse light, the Creek people at the show, or those who want to gloss over Creek's shortcomings in setting up a good system? Dynaudio is one of the class marques in speakers. Why do they not know how to make an $85K speaker, in a very good room, sound good? I didn't bash Acarian, just stated that they used to make speakers which were reasonably priced, and didn't absolutely take over a room(4 gigantic tower - the only speaker they showed). No longer. Lots of us stated that Red Rose was not what they hype. But really, did we actually expect a speaker with a 5.25" woofer to sound like a full range speaker? Something about the laws of physics kicking in there. The horn company that showed with AtmaSphere was awful. In a second floor room(read big - which should mean good, and one of the two main floors) they had no one in there. I stayed a good five minutes(because I like AtmaSphere so much), and watched people walk out looking as if they just sucked on a lemon after just 10 seconds of listening. My comments about Linn are exactly what everyone else wrote. Too much bass(in a big room) and too bright. We are all welcome to our opinions, regardless of whether we agree or disagree. However, you will not be able to quell mine, no matter how hard you try.
Trelja, I must commend you on your systematic approach towards reporting on the show. You must have taken notes, and even with them I do not believe I could have been so thorough. Thank you for your report, your opinions, and your defense of the manufacturers doing a poor job. I will now relay a story of one manufacturer.

I have a friend who is building speakers. He was playing them for days and days before he carefully packed them for shipment on wednesday. When these speakers were set up the first time in the room friday they were horrible. (as told to me by my friend) They experimented with room treatment and to no avail. The bass was really missing and the stage was not up to standards. My friend told me "I was about to pull my hair out" when the cause of the bass problen was found. One of the walls was between them and a storage area. This wall was very thin and was causing the problem. My friend told me had they not discovered the problem he would have pulled the speaker from the show. It was 10 PM when they started tearing the system down and moving to a better position. It was very late before everything was ready for the show.

I felt that everyone should know that some people do care how their system sounds and apparently others do not.
May I repeat my question? How many rooms had no or poor acoustic treatment? BTW, thanks for the thorough post.

And Joe, thanks for bailing out my 5350SE. I have been crying for a couple of days now, but I have just unpacked her and put her back in the system where she belongs. Whew, that was close.

Charlie
Trelja - there is really no need to defend yourself against the naysayers. You are honest and heartfelt and, above all, reasonable in your observations. Your fairness should serve as a model for all who frequent this site. The criticisms you make are not about taste. Plainly, people need to realize that so much of the gear is hyped and should never see the light of day. Instead of a cornucopia of wonderful sounding-equipment (which I yearn for when attending audio-shows), I ALWAYS come away feeling duped and cheated. I have few brand-allegiances, nor do I like to "trash" various manufacturers, but on no account am I willing to tolerate high-ticket or highly advertised components which are just mediocre-sounding. Hopefully, this wonderful forum will engender a more critical attitude about what really constitutes good equipment and help to purge this otherwise great hobby of the detritus that some are unwilling to acknowledge.