Hi JazzOnTheHudson, some comparisons have been to Murray James, FIM Gold, Argento (CRAZY EXPESNIVE!!!!) and I always go back to my design. Not sure exactly what you are referring to by "Magnetic Cables". DIY cables can be as good and better than aftermarket if you know what you are doing and start out with superior materials. Do not fall for the Continuous Cast marketing non-sense. I am not going to get into that except to say do some googling and find out what and why that inferior form or wire manufacturing was created. Leave it to the cabling liars (oops sorry marketers) to completely obfuscate the truth.
Loftarasa; I will state that my experience with the iTube is completely to opposite of yours. I find the 3D Holograhic indispensable and absolutley transpatent in zero gain mode. Again, it bettered both my MFA Reference and Baby Reference and Equaled "No Preamp" (i.e. using PureMusics 64 bit volume control in conjunction with a wide dynamix range 24/176.4khz recording and -6dB on PM) as far as transparency. I can't speak for your system but the iTube is ABSOLUTELY transparent over here. Listening to Enya via my SP10-MK3/AMR PH77/AMR dP777 and iTube and i defy anyone to hear a loss of detail when the iTube is installed (if it were out of my system which it never is :).
I have never needed to use the digital antidote with the AMR.
One thing to note, the wall wart IS orientation sensitve, the cord leading from the wall wart should be aligned with the ground plug receptacle on your wall socket. This is easily heard if it is in the wrong configuration.
I have found this to be the case with all of my amplifiers Reimyo PAT777, Graaf Modena, both Graaf GM 200's, Acoustic Reality Thaumaturges and the EAR 1001 REFS and my own 230 watt monos.
The MFA Reference units are some of the finest volume attenuators out there, the Concert Fidelity Pre is world class and I still went with the iTube. I know nothing of NADs gear having never purchased it, perhaps it is simply not sympatico.
YMMV
Loftarasa; I will state that my experience with the iTube is completely to opposite of yours. I find the 3D Holograhic indispensable and absolutley transpatent in zero gain mode. Again, it bettered both my MFA Reference and Baby Reference and Equaled "No Preamp" (i.e. using PureMusics 64 bit volume control in conjunction with a wide dynamix range 24/176.4khz recording and -6dB on PM) as far as transparency. I can't speak for your system but the iTube is ABSOLUTELY transparent over here. Listening to Enya via my SP10-MK3/AMR PH77/AMR dP777 and iTube and i defy anyone to hear a loss of detail when the iTube is installed (if it were out of my system which it never is :).
I have never needed to use the digital antidote with the AMR.
One thing to note, the wall wart IS orientation sensitve, the cord leading from the wall wart should be aligned with the ground plug receptacle on your wall socket. This is easily heard if it is in the wrong configuration.
I have found this to be the case with all of my amplifiers Reimyo PAT777, Graaf Modena, both Graaf GM 200's, Acoustic Reality Thaumaturges and the EAR 1001 REFS and my own 230 watt monos.
The MFA Reference units are some of the finest volume attenuators out there, the Concert Fidelity Pre is world class and I still went with the iTube. I know nothing of NADs gear having never purchased it, perhaps it is simply not sympatico.
YMMV