I would think the only reason to interject a preamp between your source and the Brystons is to better match impedance mismatches. If the source can readily drive the input impedance of the Brystons to full power, then I am not sure I see the advantages. The input impedance of the power amp will be about the same as the input impedance of any pre-amp, so from the source point of view, its the same load. Perhaps with a pre-amp, the source will need to produce a lower voltage range (because of the added gain of the pre-amp), and this could give some sonic advantages.
For example, the power amp might require a voltage of 1-2 V for full power, whereas the same 1-2V could be derrived from the pre-amp with the source providing only a few hundred millivolts. If the source uses IC OPamps, then the lower the outpout voltage the better. If the source has a class A discrete output stage, this would be less of a factor.
I used to use a CA 840C to drive my power amps directly, but I used a passive attenuator for gain control. So this placed a resistor attenuator between the power amp and source, which is a compromise (impedance/load) at best. I discovered the attenuator (5K) was way to low for the OPamp output of the CA 840 to dive properly. Sound was clean and detailed, but significantly devoid of bass response.
For example, the power amp might require a voltage of 1-2 V for full power, whereas the same 1-2V could be derrived from the pre-amp with the source providing only a few hundred millivolts. If the source uses IC OPamps, then the lower the outpout voltage the better. If the source has a class A discrete output stage, this would be less of a factor.
I used to use a CA 840C to drive my power amps directly, but I used a passive attenuator for gain control. So this placed a resistor attenuator between the power amp and source, which is a compromise (impedance/load) at best. I discovered the attenuator (5K) was way to low for the OPamp output of the CA 840 to dive properly. Sound was clean and detailed, but significantly devoid of bass response.