Audioengr wrote: "You have just never heard a low jitter system, and if you did, there was probabl an active preamp in the way creating so much distortion and compression that you did not hear the benefits of low jitter".
FWIW, I use an Oknyo DX-C390 CD changer as a transp. (certainly nothing special there), out via a Mapleshade Double Helix, digital RCA to a Monarchy DIP Combo, out via another Helix, to a Ric-Schultz-modified, diffrentially balanced Begringer DEQ2496. From there, out via balanced Mapleshade Excaliburs to Goldpoint SMD series attenuators installed in the rear of a pair of Monarchy SM-70 Pro's as balanced monoblocks. A CD-only system with no active pre. I do believe I am hearing the benefits of low jitter.
But, if you thought that I myself was somehow against any and all attempts to employ digital jitter reduction stategies, then I suppose I am pretty much the one to blame for that and I apologize to you for it. What I misfired on when I said that it was the biggest myth in all of audio, and which is what need to seriously amend, was the idea that all those digital strategies were indeed the first and only consideration. I'm of the opinion that, in practice, successful conditioning is just as crucial as digital/mechanical/optical jitter reduction toward overcoming the problem of CD harshness/edginess/brightness in particular.
FWIW, I use an Oknyo DX-C390 CD changer as a transp. (certainly nothing special there), out via a Mapleshade Double Helix, digital RCA to a Monarchy DIP Combo, out via another Helix, to a Ric-Schultz-modified, diffrentially balanced Begringer DEQ2496. From there, out via balanced Mapleshade Excaliburs to Goldpoint SMD series attenuators installed in the rear of a pair of Monarchy SM-70 Pro's as balanced monoblocks. A CD-only system with no active pre. I do believe I am hearing the benefits of low jitter.
But, if you thought that I myself was somehow against any and all attempts to employ digital jitter reduction stategies, then I suppose I am pretty much the one to blame for that and I apologize to you for it. What I misfired on when I said that it was the biggest myth in all of audio, and which is what need to seriously amend, was the idea that all those digital strategies were indeed the first and only consideration. I'm of the opinion that, in practice, successful conditioning is just as crucial as digital/mechanical/optical jitter reduction toward overcoming the problem of CD harshness/edginess/brightness in particular.