Good Cowboy Junkies "Trinity Sessions"?

The Simply Vinyl LP might not be too bad. The main beef with SVLP is that they dont necessarily (if ever) use first generation analog masters for the re-issues that were recorded that way. Given that TS was direct to digital, it MAY be OK. Some SVLP's are pretty good (Dire Straits, for example).Would be interested in hearing from anyone who has it and the Classic reissue or an original pressing.

I have the original LP of this, plus the RCA BMG of "the Caution Horses," and a promo copy of "Misguided Angel." This last LP is only five cuts, containing the live recording at Church of Holy Trinity in Toronto (1987) and Misguided Angel live version from the Roxy in Hollywood.

The promo copy is the best recording of the bunch, maybe if only because it (as other promo's) is very early in the pressing run. The original Trin Sessions is wonderful, but since I have none of this on CD, I can only testify that the LP is worth searching out. I hope if a superior version is found, that the data will be posted here. I always buy at least two copies of everything I treasure.

Today I took my fifteen year old son to buy CD's, and he went to the section with Roger Waters. Seems he had listened to "Amused to Death" more closely than I thought. I have the LP he was influenced by, and a new sealed copy. Some of this material, just like Cowboy Junkies, seems to span all age groups and time. It is nice to see music as the topic of obsession.

albert: as always, you've seen the forest, while the rest of us have been lookin' at the trees. how right you are about the centrality of music to all our lives and, more importantly, the way that interest is seen and appreciated by our kids. my sons are adults, aged 31 and 28. my older son and i attend many concerts together, as we did when jerry was still alive and we were, with his brother, all deadheads, many chronological years apart. in the past year or so, we've enjoyed many of my heros in live performances, now heros to a second generation: csn&y, dylan (for whom my 31 year old was named), bruce, pink floyd (sans roger), paul simon, elton john, billy joel, neil & crazy horse, bonnie raitt, bobby wier (ratdog), phil lesh (and friends), john prine and more. i am so very proud that our children are superbly educated, formally and informally. i'm prouder still that both our offspring have, like their dad, found music to be a central part of their lives. may it continue through the next generation, and the next. -kelly

Kelly, this music definitely spans the generations, I'm the same age as your older son! No wonder your audio advice seems so fatherly;-) I guess I'll keep my classic CD for now. Let me know if you find another hidden gem that sounds better. Do you find a huge difference between the Gold CD and the RCA LP? I just want to make sure my turntable isn't the problem.

meta: fatherly, eh? well, i'll take that as a compliment. to be honest, i've not played the original (american) rca/bmg lp for some time. i'm in the midst of an analogue frontend revamping, so most of my lp listening over the past few months has been done at my good friend/audio dealer's sound room. as might be suspected, he has some really great equipment to play with. i frequently use my classic cd and lp as test software. the last time we played the lp, it was on a basis debut v vacuum with a graham 2.2/koetsu onyx signature played thru a boulder 2010 pre into a pair of bridged accuphase a 50v's driving avalon eidolon's. believe me, this rig makes for great sounds, as it did for trinity sessions. to my ears, at least, the gold cd sounded slightly better played on an accuphase 100/101 combo run direct into the same amps already noted. my guess is that once i get my own analogue setup going again (which will pretty much replicate the one i described) i'll learn again to love that source and probably prefer the lp to the cd. i'm gonna keep searchin' for that japanese pressing i vaguely recall; if i find it, i'll post my mini-comparison review. -kelly