2. analog
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Need to re-discover analog - please help

Like the short-sighted, lazy, modern moron that I am, I threw away all my LPs and turntable when I got hooked on my first decent CDP, a Kinergetics Platinum KD-40, 15 years ago. Because it was easier to take care of CDs. Now, my mother who was a musician, and had a classical collection of about 200 really absolutely great recordings, collected from the 1940s til the 80s, has left me her collection. They just have to be preserved, played and savored. I need an analog set-up that will a) do them justice and b) not sound noticeably "worse" compared to the digital set-up I am now used to. My analog set-up that I discarded (I know, I know.........please dont rub it in, what's done is done.) was a Denon 103D and Sony PS-800 linear tracking TT and also a Kenwood marble platter with SME tone-arm and also Denon 103 D cartridge and circa 1980 PS Audio MC phono stage.
The present system, to which must now obligatorily be added a turntable: EMM DCC2/CDSD; Atma-Sphere Line-stage MP-1 MkII, Atma-Sphere MA 2.2 modified (27 tubes each); Kharma 3.2; Indra Stealth i/cs; PAD Dominus i/cs and S/Cs (Rev C & B).

I tried MM cartridges before - Dynavector,Ortofon,Shure V15 iv - but only liked the MC Denon 103D - so would prefer that MC "sound".

I have not kept up with the analog market, nor new equipment, and am totally ignorant about the components but would greatly appreciate input as to what TT, tone-arm, cartridge and phono preamp to get that would neither bankrupt me nor do the wonderful collection my mother left me a disservice, nor my ear that is now spoiled by the pretty "good" digital, ancillary set-up I have. Nor, obviously, sound "inferior" to the CDs:)

What sort of a budget am I looking at to keep the system within the overall quality of the associated equipment that I have, without going crazy, since i will still mostly be listening to CDs (unless i get totally hooked and go bonkers..........)?

I listen to classical 90% of the time and 95% of her collection is classical.

As always, I appreciate your advice.
springbok10
lohanimal
659 posts
 
I have read a few of the responses, and have to agree in particular with Flyingrad. I haven't hear a teres in the UK, so I can't give an opinion.

With your budget You really have the pick of decks. I myself had a £7000 budget and bought an Amazon model one and am delighted - you can upgrade this to reference standard.

I must say though that hifi is like a car. However good it is you can get bored of the very things that you liked.

When I auditioned I listened to several decks: SME model 20/2a and model 10, the Platine verdier, the Clearlight recovery basic, the michell orbe, the nottingham analodue hyperspace, the Avid Acutus and the Volvere sequel, the dps, Rega P9, and VPI.

What I suggest is that you call some dealers, tell them your sytem, and ask them to loan a deck to you. If they say no, don't buy their product - simple as that. $15 big ones should buy good service in my view, and that's part of the deal.

I have heard that John RAskins the needle doctor is a big dealer in the states, and you should try him.

I must say that I envy your task, because it is great fun checking a lot of kit out!
flyingred
139 posts
 
I have now heard the Teres 200 series and the 360 (with Schroeder Reference/Koetsu Urushi) plus the Galibier Quattro Supreme with Schroeder Ref/Lyra Parnassus, Schroeder Ref/Denon DL-103R and Micro Seiki MX-282/DL-103R.

The Teres 265 is good, but on rock cuts the bass guitar leading edge was missing, giving the perception that the song was playing slow. The 360 had phenomenal spacial precision and detail recovery however I found the overall presentation somewhat bland and lacking pace.

The Galibier was simply stunning. It had amazing life and energy, deep extended bass, great timing, better information retrieval than the Teres - I honestly have never heard a better turntable.

My favourite combination was the Micro-Seiki/DL-103R which had tighter, better-controlled bass than the Schroeder, although I was assured that the Schroeder Reference excels on acoustic and small ensemble music. The DL-103R was in no way shown to be wanting by the Urushi.

As the MX-282 is hard to find these days, contemporary equivalents would be the Triplanar and Ikeda (built by the founder of Fidelity Research).
Ag insider logo xs@2x
rauliruegas
13,055 posts
 
Dear Flyingred: I own the MAX-282 and the Ikeda tonearms and I have experience with the Triplanar. All these tonearms are differents and have different music/sound presentation, no there aren't equivalents.

Btw, I agree with you : the Micro Seiki beats the Schroeder with a tighter, better controlled bass.

Regards and enjoy the music.
Raul.
johndiercks
1 posts
 
You could never go wrong with a good used LP12; I got mine used for 1200 with Akito arm and K18 cartridge...I have upgraded slowly as you can only do with Linn. I have never been disatisfied with the dependability, the sound, or the improvement the upgrades have made.
springbok10 OP
711 posts
 
Just as a courtesy to all of you helpful and long-suffering vinyl junkies who helped me, I am following up with the rig I ended up with.
Thanks again for the input.

SOTA Sapphire TT
Origin Live Encounter tonearm
Shelter 901
EAR 824 Phono stage (balanced)
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