Win, I probably overstated the case for tonearm coupling. As you know, there ARE those who do advocate firm coupling to the bearing. However, your opinion carries a lot of weight with me (at least 200 lbs of slate). Anyway, I think we both agree that mounting the tonearm completely outboard of the plinth is not optimal. Like Pryso, I am also building an SP-10 plinth, so these considerations are very much on my mind, too. Ralph, I hope you get the picture.
Lenco plinth? How big is too big?
I have an L78, upgraded Origin Live One arm, Empire MC-5 moving coil cartidge, and access to a sawmill with lots of prime cherry wood. I was thinking of a cherry plinth, 17 inches wide, 24 inches long, and six inches tall of cross layered one inch cherry. Then cut off the rear corner where the tone arm is mounted, in a sweeping arc of about 10 inch radius, and mount the tone arm on that detached corner. Use 1 inch thick isomolded graphite disks of 2 inch diameter topped by one 3/8" tungsten carbide ball, and resting on three such balls. Use three of these ball/disk combinations for each of the main plinth and the corner with the tone arm. What do y'all think? I would appreciate any suggestions before actually putting it all together. Thanks. Ralph
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- 18 posts total
- 18 posts total