TriPlanar Tips


The manual that comes with the TriPlanar Mk VII tonearm is fairly complete, but there are a few things I’ve learned only by living with the arm. Note: I do not know which if any of these would apply to previous versions of the arm. My only experience is with the Mk VII.

1. NEVER raise the cueing lever while the arm is locked in the arm rest. This pressures the damping cylinder and could cause a silicone leak. For this reason and also for safety, whenever the arm is in the arm rest the cueing lever should be DOWN. This is backwards from most arms and takes some getting used to.

2. If your Tri-Planar doesn't cue straight down there's a quick fix, which may be included on some new arms. The problem is insufficient friction between the arm tube and the hard rubber cueing support bar. Just glue a bit of thin sandpaper to the underside of the arm tube. Make it big enough and position it so it hits the cueing support bar at all points across the arm’s arc. (Note: after doing this you will need to adjust the cueing height, see Tip #3.)

3. When adjusting cueing height (instructions are in the manual) always do so with the arm in the UP position. This adjustment is VERY touchy, since the cueing support bar is so close to the pivot. Be patient and be careful of your cartridge. (Note: after doing this you may need to adjust the anti-skate initiation point, see Tip #4.)

Chris Brady of Teres told me of a way to improve cueing even more by re-shaping the cueing support. Moving the cueing support point farther from the pivot improves its mechanical advantage and makes the cueing height and speed adjustments less touchy. This mod is easier than it sounds and requires only a length of coat hanger (!), but I don’t have pix and haven’t yet done it myself.

4. Changing the cueing height affects the point where anti-skate kicks in. (Yes, it's weird.) Once cueing height is satisfactory, adjust the short pin that sticks out of the front of the cueing frame. That pin controls where the anti-skate dogleg first engages the knot on the string.

5. The Tri-Planar comes with three counterweight donuts of differing masses. Many cartridges can be balanced using either of two. The arm usually tracks best with the heaviest donut that will work, mounted closer to the pivot. Of course this also reduces effective mass, which may or may not be sonically desirable depending on the cartridge. It also leaves more room for Tip #6.

6. For fine VTF adjustments don’t futz with the counterweight, there’s an easier way. Set the counterweight for the highest VTF you think you’ll need (ie, close to the pivot). Pick up some 1/4" I.D. O-rings from Home Depot. To reduce VTF a bit just slip an O-ring or two on the end stub. Thin O-rings reduce VTF by .01-.02g, thick ones by .04-.05g. Quick, cheap, effective. (For safety, always lock the arm down while adding or removing O-rings.)

7. When adjusting VTA, always bring the pointer to the setting you want by turning it counter-clockwise at least ¼ of a turn. This brings the arm UP to the spot you've selected, which takes up the slop in the threads. You can easily feel this happening.

Hope someone finds these useful. If you know any more, please bring ‘em on!
dougdeacon
Dougs recommendation to "improve" the Triplanar are spot on. It is a good design from scratch which survived a long time. But honestly, the main problem from the Triplanar is, it has no weight. It looks solid, but it isn't. This is the main reason why this Arm works super - or best - with cartridges which do not reflect much energy into it, or which are not heavy. Its own energy transfer reaches the limit based on this. I think, the actual copy, the Talea, solved this. IMO, without listening to it.
Paperw8, I would advise you to stop tapping and start listening. Your test, by the way, does not tell you anything about resonances during playback and that is what is important. (I'd like to find the first guy who ever started this "tapping" argument and punch him in the mouth. It proves nothing.) We don't know what your system is but I believe it is you who needs to spend time listening to your new TP to get to know it better with respect to your system and what ever cartridge you are using. If you don't hear improvements by following the advice offered hear, that's ok, but don't assume that those of us who find good improvement by reducing some of the resonant parts are hypnotized or sipping kool-aid.

If you can get up to New England I'd be glad to show just what the TP sounds like, with and without these parts installed.

Syntax, it can be said the Talea is similar to several other arms if we only take looks into account. You are correct that the Talea has surpassed the TP, and I agree with your assessment of the TP.

disclaimer, Talea dealer and TP owner
The Triplanar has a extensional damping material on the arm tube to reduce mid and high frequency resonance artifacts. This is one of the reasons this arm is so neutral- most arm manufacturers do little to address this issue.
Jb0194, no, I don't. I don't think its much of an issue in my case- Warps the like don't seem to phase either arm.

I run the Transfiguration Orpheus on one arm and the ZYX Universe on the other- neither seems to need the damping. So right now I have the damping troughs removed.