Avid Volvare - SME IV arm or Tri-planar VII ???

Brieshayana, I point you to the Super ScoutMaster as an excellent representative of a non-sprung table. If, like me, you have already determined that you prefer the sound of sprung tables then you cannot go wrong with the Avid. I agree completely with Dougdeacon's points above. I adjust the VTA frequently as well depending upon the record so for me the Triplanar was the obvious choice. And even if you don't think you'd use the options that the Triplanar offers over the SME IV initially you just might find them indispensable in the near future.

Thank you Khrys and Dougdeacon!

That article was great and VERY helpful. I can certainly see how if you are a VTA adjuster then the Triplanar is a no-brainer. I can guarantee you that I am not going to be a VTA adjuster. I will be listening to about 30% analog and over time (as my free time increases - some day) I may get more into the fine tunning, But for now I am honestly looking for an arm that is VERY easy to set-up and will sound great with a minimum of fuss.

It sounds to me like both arms are so good that changing cables, cartridges and phono stages will have a MUCH greater impact on the sound then the arms themselves. Which leaves me with two great choices and I obviously can't go wrong with either.

I did find it interesting to finally hear, specifically, the difference between the IV and the V as far as counterweight adjustment and VTA adjustment. I had a Roksan Radius V for a while and the two biggest complaints I had with it set-up wise were that I hated the simple sliding counterweight (it just seamed to me that a better, micrometer style counterweight, would be more effective and reliable) and the VTA was similar in it's lack of any fine control - just slide it up or down and hope it stays until you tighten that screw.

In that regard, and after reading that article, I actually think going with the SME V is propbably the smartest move on my part as it will make set-up and long term maintanence the easiest and least tweaky. With that said, you both made comment as to the SME's "assumption" that the cartridge is perfect and I am a bit concerned as to cartridge matching... How significant an issue is this?

What cartridges (or manufacturers) would you describe as "perfectly built" lending themselves to being well suited and matched to the SME IV or V?

I was initially seriously considering the Benz or the Dynavector. I may start out at a lower price point as my budget will be chewed up by the table and arm - maybe a Karat or Glider 2 and upgrade as I can. I figure since the cartridge is clearly the easiest to change (especially with the SME arm) it makes more sense to go that route... Any suggestions?

-Brie

Brie,

If you are a "set and forget" listener then I want to throw you another suggestion, Basis Vector. This arm does not have dials and such so setting it up is a bit more work. However, once set this arm never needs re-adjusting. The Vector is very well engineered and can handle just about any cartridge you want to mount on it. That's not to say the Tri-Planar or SME can't also but the Vector is alot less money. Because it is a modified unipivot you will probably never have to worry about maintenance. I think it would be a good match with the Avid as it can hold the arm very stable.

You could also start with a Denon 103R cartridge and save more money towards that next higher end cartridge, but I do like the Glider.

I have been told by many that unipivot arms are basically a huge mistake with the Avid suspended tables as they don't provide a direct line for vibration to be channeled through the arm into the suspension, or something like that. I think I'll stick with the SME arm for now, but thank you for your suggestion... And I will look into the Denon Cart.

-Brie

Thanks to everyone who posted here. I'm looking at the same 3 tables and have learned a ton from this thread.

Two questions:

1) Khrys alluded to differences in sound between spurng and non-sprung tables, and I'm wondering if he (or anyone else) can elaborate on this? I've been listening to vinyl for a while, but I'm fairly new to serious turntables, so wondering if there's a design concept in play with either format that has a certain type of sonic signature?

2) So no one has heard the Clearaudio Ambient table with Satisfy arm? Anyone...Bueller?

Thanks,

Matt