"oldskool" tonearms


Hi folks, why do many audiophiles who own analog set ups love "oldskool" tonearms, like the SME 3010 or 3012, the Micro Seiki 282, Audiocraft, Toho, Koshin, AR and Hadcock? Are these tonearms better than most of the contemporary siblings? Do these audiophiles like them because of their (oldfashioned) sound? Or because the fact that they are very difficult to get nowardays?
dazzdax
How old is "oldskool"? I have been quite happy with an Alphason HR-100S since 1982. I assume this vintage satisfies your criteria. It has sounded right, or rather not at all, with the few cartridges I've hung on the smart end of the stick.

Recently, I've been intrigued by the Schroeder DPS Arm. The simplicity of it's design and execution is really quite appealing. I am at somewhat of a loss as to how to compare it's individual audio characteristics with those of my equipment and I'm not in a position to take a $4,000 leap of faith for a new arm.... It sure is pretty, though.
Dear Raul,

I really respect your dedication and knowledge on LP playbacks. Out of all the tonearms that you have, I am a bit surprise that there isn't any linear tracker, air-bearing or otherwise. Just wonder what is you view on these arms.

Thanks in advance,

Michael
Many thanks Raul for sharing your thoughts. I currently own the AC-4400 and UP-4 (plus my other unipivot, a RS-A1), although I guess I'll have to start keeping my eyes open for the Satin :)

Thanks again,

Anthony
Dear Astock: You Alphason tonearm is a very respected one and a " vintage " one for sure.

Regards and enjoy the music.
Raul.
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