Dear Swampwalker: +++++ " I was not thinking so much of an attempt to compensate, rather a better interaction btwn either an SUT or a gain stage with a certain kind of cartridge or line stage.... " +++++
Your way of thinking is right on target. No one in his healthy brain sanity can speaks about the use of SUT for compensate for some problems over the audio chain.
" interaction "/ synergy that's the name of the game in audio. The SUT certainly has no synergy with cartridges and that's why we have to go for active gain stages. The SUT is the " easy " way to hide bad phonopreamp designs. These bad designs add a bad medicine ( SUTs ) trying " to help " but the SUT not only does not help but increment/continue the signal degradation. The source of the problem is in the origin: bad design.
" Interaction with line stage ": in my opinion the active gain phono stage must be integrated with the line stage, in this way we can have a better synergy. Of course we could go for and stand alone/external active gain phono stage but here we can lost synergy, not only because we need additional cables and connectors that function like filters/veils to the signal reproduction but because the phono stage could comes from a manufacturer different from the line stage one.
Well as you can see this is a very complex problem. That's why I post about SUTs: " a cheap solution to a very complex problem ".
Regards and enjoy the music.
Raul.
Your way of thinking is right on target. No one in his healthy brain sanity can speaks about the use of SUT for compensate for some problems over the audio chain.
" interaction "/ synergy that's the name of the game in audio. The SUT certainly has no synergy with cartridges and that's why we have to go for active gain stages. The SUT is the " easy " way to hide bad phonopreamp designs. These bad designs add a bad medicine ( SUTs ) trying " to help " but the SUT not only does not help but increment/continue the signal degradation. The source of the problem is in the origin: bad design.
" Interaction with line stage ": in my opinion the active gain phono stage must be integrated with the line stage, in this way we can have a better synergy. Of course we could go for and stand alone/external active gain phono stage but here we can lost synergy, not only because we need additional cables and connectors that function like filters/veils to the signal reproduction but because the phono stage could comes from a manufacturer different from the line stage one.
Well as you can see this is a very complex problem. That's why I post about SUTs: " a cheap solution to a very complex problem ".
Regards and enjoy the music.
Raul.