How to set SRA after determining true vertical?

Raul,you may want to experience "some" of John Zorn's work.Available mostly on CD.The film series is where I'd start,and is magnificent music.The Tzadik label(he owns)is of very high quality!Also,if you follow some music publications,like Grammophone,etc,you can choose some of the "well reviewed" music,and download samples at some of the better "book/music" stores.This way it becomes clear that there are still talented composers out there.The problem is,that we are not exposed enough,to them.Profits drive the music business,so we have to do the work,ourselves.I have NO problem looking,hard,for NEW music,and it is real fun,when I make a new discovery.

Best!

BTW,Raul--I hope you were not too influenced by your taste for Heavy Metal,when you "waxed poetic" about all the subtle virtues of the ALLAERTS stuff.Somehow the harmonic,and timbrel virtues of something like a softly played oboe,or viola,would seem to be more in line,with what Jan is trying to communicate,than anything by Axel Rose!Not that it isn't fun to "rock out",but you get my point!

Dear Sirspeedy: I think that the best orchestra music it is making on the film soundtracks: Zimmer, Horner, Williams, Newton Howard, Kloser, Vangelis, etc.

All these recordings are almost only on CD. Many of them are great compositions.

Regards and enjoy the music.
Raul.

Dear Sirspeedy: Now that you mentioned there are very good compositions on the film soundtrack kind.
Zimmer, Horner, Williams, Newton Howard, Kloser, etc, etc, are very good ones.
Unfortunatelly almost all these kind of recordings were only in digital format, well not unfortunatelly: fortunatelly exist ! ! !.

Regards and enjoy the music.
Raul.

Raul,try to find some of the RCA "Classic Film Series" LP's.These are easily obtained,and not alot of money.There is fabulous music contained in the entire series,which is quite a few discs.GREAT STUFF,in gorgeous sound.These were pressed in both Great Britain(prefferable),and the U.S.(not quite as good as the British pressings,but fine,nevertheless)!!

Also,for some really fun stuff,in very good sound(for digital LP's),there is a series called "The Twilight Zone"!I believe there were four LP's released.I have the first two volumes.Wonderful composers,from Franz Waxman,to everyone popular in the fifties and sixties.Though the discs came out around 1981-1982.Plenty of Bernard Herman compositions were on the sound track as well.A real FIND if you search it out.Guaranteed to keep you from falling asleep,if you have become familiar with some of the TV series!!

All this stuff,will definitely provide superb fuel for the fine cartridges you love to write about.These discs contain beautiful music,wide "dramatic" dynamics,and superb timbres with lovely,subtle inner voicings that really seperate the finest of cartridges from oneanother.

Another GREAT LP,but scarce,is the soundtrack to the Bdwy play "Rashomon".On the Carlton label.Sonically this disc blows away the Twilight Zone discs,and they are not bad,at all.Recorded and pressed by U.S.Mercury,so I don't have to tell you how great the sound is.The music is INCREDIBLE,and will show off the "best",in a great cartridge,and system.Believe me,if you want to know how good your set-up is,this disc will tell you!Guaranteed!!

Worth seeking these discs out!

Best!

Wow, this thread is really full of important information. Related to this topic, I have recently heard of a “theory” from my friend that I have never heard before, and I am kind of skeptical about it. So, I think this is the place to find out the answer. Since I am a bit confused, please bear with me. His “theory” goes like this:

1, Due to the different cutting angles used by different labels (and the cutting lathe they used), Decca, EMI, etc., you will need different SRA/VTA to play the different labels of LP.

2, Different cartridge makers manufacture their cartridges with different build-in VTA (he said something like 20 degrees and 22 degrees). As such, to have a perfect playback, you need to match the cartridge (with it’s build-in VTA) to the record labels. For example, say an Ortofon, with 20 degrees build-in VTA, will fit the Decca, and another brand of cartridge, say a Clearaudio, with 22 degrees of build-in VTA, will fit the EMI etc.

3, As such, you’ll need at least 2 cartridges to ideally/accurately playback the different labels.

I am very skeptical of this “theory”, and I think this forum is the perfect place to ask whether there is any truth to it.

Thank in advance

Michael