Rhea Noise

Xagwell, My advice is talk to Jim White at Aesthetix. You will not find a greater gentleman in Hifi audio. There is lots of rumor and innuendo and questionable fact being aired against the Rhea and the Calypso. If you want to bring the noise down on the Rhea you must have very good tube selection by a reputable source, period. I have owned the Aesthetix Rhea and Calypso (preamp) for some time now and can attest to the fact that they are very, very picky. It is not so much the brand of tube as it is the quality of the tube. Brands with give you flavor, quality tested and hand selected tubes with give you peace and quiet and you should find that for the extra attention to tube selection you will get back an extremely detailed and dynamic result. If your not up to chasing down a good tube supplier you may as well go out and trade the Rhea for very possibly a lesser phono amp. I have put this phono amp head to head with many, foremost a world class Aesthetix I/O with a full complement of vintage Telefunken and although the I/O will better it every time in dynamics, air, and scale, it will by a very small margin when you consider the price difference, not to mention the Rhea is far more flexible than most all phono amps on the market at any price including the I/O. IMHO the Rhea is the best overall value and sound out there. I’m not saying it’s easy or cheap, but it is the solution and it is worth it. Best regards.
Happy Listening!

Just buy a Tom Evans phono stage. My Groove Plus is DEAD quiet.

Dear Xagwell: The all tube Phonopreamps were not designed for low output MC cartridges. As a fact, this technology is not the right one for use in Phono stages.

If you really care about the quality music sound reproduction through analog technology you must to go for and SS active gain Phonopreamp, it is the best choice and is the best choice not only because the reduced noise/distortions and high gain but because only the SS technology can give you an accurate ( +,- 0.05 db from 20 Hz to 20 kHz ) inverse RIAA eq. that is the the most important characteristic on any Phonopreamp and as a fact that inverse RIAA eq. is the reason why we need those high gain active Phonopreamps.

The problem of noise that every all tube Phonopreamp has it has nothing to do with the type of the tubes or the quality of them or good/bad design, the problem is that the tube technology is totally inadequated for use it on Phonopreamps, that's all.

Don't change the tubes on your Phonopreamp, it does not work ( don't loose more time and money ): you have to change your Phonopreamp!!!!!!!!!

Regards and enjoy the music.
Raul.

Marakanetz the point I wanted to make is that the Rhea is a VERY GOOD phono stage, the problem with it, is that compared to the very best, it is a LITTLE noisy. Most of what the Rhea does, it does very well. The issue of the noise was what prevented me from buying it. It sounds very good, it's just too noisy for me, and appearantly some others too.

Rauliruegas, I'm curious... If vacuum tube phono amps are so inferior for the reproduction of vinyl sourced music than why is it that vacuum tubes were used in most of the finest recordings and mastering processes of all time? Just one modern day example might be the Analogue Productions 45RPM Fantasy jazz series. I have yet to hear a plausible explanation for why tubes stir my emotions greater than transistors. I’m really surprised that with that stream of logic you don’t prefer digital. Truly, I do not mean to insult you, please don’t take it that way but, I just don’t understand and I don’t agree. Happy Listening!