No, the Supreme was an earlier cartridge with an aluminum tube cantilever and silver coil wire. The sound was very pleasant in the midrange, but the top end was a little "papery" (sorry, that is the only way I can think of to describe it, like a paper-cone driver trying to go too high up) The first couple years of production of the V (boron cantilever, back to copper wire) had permalloy coil formers, then came the W with ss-u (mu) material, then the V was changed to this material and gained about .1mV output, plus improved sound. I also did have two of the older supremes which, as you state, were nice at the time, but not in the same league as the v/w, and probably not quite as refined (though slightly more natural sounding) as the original AF-1. Over the years I have also tried numerous Benz' and Koetsu's, Spectral, aq7000, audionote, linn, kiseki...all the way back to the first cartridge that "opened my ears" back in the early '70's and actually got this cartridge passion started (after several empire's), the microacoustics (1001? 2002? or something...that was over 30 years ago). Never had a supex and missed the real early m/c revolution, as, even though there was a lot more info, the tonal balance just sounded too much "audiophile" (as I would now call it) and not enough like what I heard at the concert hall (sounded more like the sports arena...). Since the V/W series, though, I have been pretty settled in the Transfig camp, as just about everything else, no matter how great the positives, has too many negatives, usually a veering away from the timbral accuracy that got me there in the first place. On certain recordings, I long for the seductive sound of the Koetsu Rosewood Sig. Platinum, but that is mostly the need for a band-aid. Before the Orpheus, I also found myself thinking the explosive dynamics of the Magic Diamond would be nice, but, again, there seem to be phase/timing things going on with most of the yoked cartridges that bug me more and more over the years, as I get more and more used to hearing the Transfigs.
The piccolos I heard on the dealer setup. All the other comparisons are based on listening to my own Orpheus, which I have had since April, in my own system. My own system is quite a bit higher res than the dealer's (again, why the passage caught my attention), though, I have to say, I was very impressed with how musical that system sounded, considering its (relatively) modest (ok, let's face it, how nuts does this make us?) cost. Just haven't listened to anything with loud piccolo passages (not something I often listen for/to) on my own system. Though I will, now, just out of curiosity.
The piccolos I heard on the dealer setup. All the other comparisons are based on listening to my own Orpheus, which I have had since April, in my own system. My own system is quite a bit higher res than the dealer's (again, why the passage caught my attention), though, I have to say, I was very impressed with how musical that system sounded, considering its (relatively) modest (ok, let's face it, how nuts does this make us?) cost. Just haven't listened to anything with loud piccolo passages (not something I often listen for/to) on my own system. Though I will, now, just out of curiosity.