Andrew,
Your increase in VTF (1.92 to 1.97) had sonic effects that would be similar on our cartridge, or maybe any cartridge. A slight increase in overall heft, sturdier bass, less edginess in highs. Those are fairly normal effects when you move from near the mistracking point to very slightly higher.
A spot some few hundredths of a gram above the mistracking point is the sweet spot for every LOMC we've used. On a UNIverse the spot is about .02-.04g above the mistracking point. Apparently on an Orpheus it's about .05g above the mistracking point. Different suspensions, different results, but not by very much.
We're obviously both splitting hairs to maximize the performance of extraordinarily sensitive and responsive cartridges. As Raul observed during his visit here, we play right on the edge. Our bass was a touch light at one point so I replaced a thick O-ring with a thin one, increasing VTF by about .02g. He was fairly amazed at the audible improvement from such a tiny adjustment. This degree of nuttiness is the only way to get the most from these cartridges, at least in our experience.
BTW, don't think that just because it sounds perfect at 1.97g today that it will do so forever. That kind of stability will probably never happen. Weather will change it. Amount of use or lack thereof will change it. We often find ourselves reducing VTF by .02-.03g after the cartridge warms up from playing several sides. The sweet spot is always a moving target.
You're right that VTF must be absolutely spot-on before you can truly optimize VTA/SRA. Doing that by ear requires listening for:
a) the integration or timing of fundamentals vs. harmonics (what Frank Schroeder and I hear) or,
b) the quickest rise/fall times and greatest amplitudes of individual notes, especially bass notes (what Paul hears).
Best,
Doug
Your increase in VTF (1.92 to 1.97) had sonic effects that would be similar on our cartridge, or maybe any cartridge. A slight increase in overall heft, sturdier bass, less edginess in highs. Those are fairly normal effects when you move from near the mistracking point to very slightly higher.
A spot some few hundredths of a gram above the mistracking point is the sweet spot for every LOMC we've used. On a UNIverse the spot is about .02-.04g above the mistracking point. Apparently on an Orpheus it's about .05g above the mistracking point. Different suspensions, different results, but not by very much.
We're obviously both splitting hairs to maximize the performance of extraordinarily sensitive and responsive cartridges. As Raul observed during his visit here, we play right on the edge. Our bass was a touch light at one point so I replaced a thick O-ring with a thin one, increasing VTF by about .02g. He was fairly amazed at the audible improvement from such a tiny adjustment. This degree of nuttiness is the only way to get the most from these cartridges, at least in our experience.
BTW, don't think that just because it sounds perfect at 1.97g today that it will do so forever. That kind of stability will probably never happen. Weather will change it. Amount of use or lack thereof will change it. We often find ourselves reducing VTF by .02-.03g after the cartridge warms up from playing several sides. The sweet spot is always a moving target.
You're right that VTF must be absolutely spot-on before you can truly optimize VTA/SRA. Doing that by ear requires listening for:
a) the integration or timing of fundamentals vs. harmonics (what Frank Schroeder and I hear) or,
b) the quickest rise/fall times and greatest amplitudes of individual notes, especially bass notes (what Paul hears).
Best,
Doug