Did your work ever get published? I wonder if I read it?
Ouch!!!
Is Digital actually better than Analog?
Ded_wards, I haven't searched MIT's archives lately, but I'm sure you'll find it under the Dept. of Physiological Psychology, ca. 1964-1966. The title of the paper is "Controlled Studies in Human Stereophonic Perception." We had hundreds of volunteers (S-T-E-R-E-O was everywhere!), and more important, the first computer system large enough to crunch statistics and probability -- at the same time! So, no study of this type was even possible any time earlier. Although my little project wasn't specifically concerned with re-producing virtual sonic environments using only two loudspeakers, in 1997, a fellow at MIT named Bill Gardner did his PhD thesis on that very subject. You can read it (150 pages) at: http://sound.media.mit.edu/Papers/gardner_thesis.pdf For those of you too busy to read it in detail, it describes a way for producing a "sweet spot" anywhere in the listening room through the use of a procedure called "head tracking." But it leaves no doubt that full re-creation of a sonic environment is possible using only two loudspeakers. Thanks for the lively discussion ;--) . |
Psychicanimal, and all who may feel the same. I am simply curious if Nsgarch research was published, it is not a slam, because getting your work published is a very big deal and hardly automatic, unless you have a job as an audio reviewer :). In the mid to late 1960's MIT and a few other Ivy league medical schools in the New England area engaged in behaviour research with audio, and much of this research is more medical or psychology related than for pure audio performances measures. I have read many of the MIT Journals and New England Journal of Medicine articles on these experiments (Tvad). So I was just curious if his work was in the journals somewhere. What were the results? Why can't we discuss these things and build on real data, not just on what we "feel" is right. I am dying to learn something on this forum, Nsgarch has superb credentials but my assertions that his speaker system represents a crude multichannel system goes unchallenged and there's no technical explanation on how he believes that two channel systems can recreate a true soundstage relying on room reflectivity and absorbtion, if he refers me to the studies that back this up, I'll go read it. I want to know, because maybe part of my idea and part of his idea = the best solution. |