I bought the Essential and recieved it a couple of weeks ago. Raul was here on Wednesday and we spent about 5-6 hours listening to albums and cd's. We had a great time, and meeting Raul was like spending time with an old friend. In fact, I hope in the future he has more time to spend so we can catch some live music together. I was trying to get him to stay and catch Dave Brubeck with me, but he wanted to try and get up to Doug's so we decided to wait for another show in the future.
I'm working on my system page which is currently not listed so for the sake of everyone knowing what I'm listening thru I thought it appropriate to list my gear first:
Galibier Quattro with Teflon/Aluminum platter
Shroeder #2 with VDH Colibri XPP
Hadcock 242 SS with MusicMaker III
Essential 3150
VAC Phi 110/110
Von Schweikert DB-99's
APL SACD 1000
Andrew's comments already cover alot of ground, but I thought I'd add some stuff since I've had a couple of weeks with it now. First, my system had a noise problem before the arrival of the Essential. In fact, I have spent countless hours with my electrician(a friend thankfully) trying everything ever described on these and other forums to get rid of it, but never had any success. It was a low level noise/hiss that couldn't be heard over the music unless it was a very quiet passage, but could be heard from the listening postion between cuts etc. With the Essential there is no noise - I mean almost non-existent. My speakers are 99dB efficient and my ear has to be within an inch or two of the drivers to even begin to hear anything. This is truly remarkable to me, and I was so relieved to finally have the problem solved that I spent most of that first night in a state of total euphoria. So, point #1 is that the unit is extremely quiet.
In my system, with the Essential the mids and highs are presented beautifully. I was using the Whest before this thru a tubed preamp and found the highs to be a bit fatiguing. That has changed dramatically for the better. There is a purity of tone (thru all frequencies) that I have not experienced before and find very appealing. I would agree with Andrew that the mid-Bass and below is excellent and I find it very much to my liking, however, Raul thought it might be improved some with a different amp(SS) so I will probably do some experimenting in the future with different amplifier designs.
Imaging, soundstaging, air etc. have all improved and a much greater perception of the venue and recording technique is therefore present. I want to emphasize what a quantum leap this was for making a convincing reproduction of what was recorded. Many albums that I thought may not have been too well recorded/produced have now become much more intelligible and pleasing to listen to. I'm not saying that it makes a bad recording sound good, but it does seem to make them more like a real event. A good recording, as you might expect, sounds outstanding and reveals nuances that make for a very convincing presentation.
I've only got maybe 30-40 hours on the MC inputs so far, and I expect that the vcaps will benefit from more time, so perhaps things could even get better, but so far I have no complaints. The Essential really transformed my system into something way better than I thought it was capable of and I couldn't be any happier about it.
A couple of other points:
J&R stands for Jose and Raul.
The price is currently $9600, but will only be that way for a few more units and will then go up. According to Raul it is priced near cost at the moment.
If anyone lives near Austin,Tx. and would like to hear the Essential in my system I would be happy to have you over.
And finally, I have had the opportunity to meet a few people in this industry that I really think are good people, Thom Mackris comes to mind, and Raul is definitely one of the good guys:-).
Matt