Experience with Raul's Essential 3150


Here are my comments on the listening session I had with Raul and his Essential 3150 Full Function Preamplifier.

Firstly, I would like to thank Raul. He is a very knowledgeable and kind gentleman. He has years and years of experience in music and analog systems. My respect for him is in another league after his visit. Some times his post opinions may seem controversial, but I think he knows what he’s talking about. Remember. Respect your elders…they have more experience.

Raul and Jose’s preamp is a seriously built unit!!! It has a separate power supply and the total weight of the two units is close to 50lbs. Very heavy, well shielded frame. Raul opened up the preamp and pointed out the level and quality of the parts. Vishay resistors, V-Caps, etc. This preamp is completely solid state and made with the finest parts and the inside does not look garage shop at all. It is impressive looking. His design is fully balanced from input to output. It included 2 SE line inputs, 2 balanced line inputs and 2 sets of phono inputs, both SE and balanced. It has a separate left and right volume control as well. The preamp is 12 years in the making and uses some interesting proprietary techniques. According to Raul, the distortion and frequency linearity is orders of magnitude better than just about all the other equipment out there.

We compared the music we were hearing using either his preamp or my CAT Ultimate MkII preamp. Since I had to create space in my rack, I removed my CD player. Therefore, we only listened to my analog system. I wish this were not the case because it would also have been good to compare line stages.

We listened to a few records: Miles Davis-Kind of Blue, Sade-Stronger than Pride, Steve Miller-Fly Like an Eagle, Pink Floyd-Dark Side of the Moon, and various classical selections. The most clear and obvious differences were bass response, transparency/detail and sound staging.

Music with the Essential had INCREDIBLE bass and midbass. Much, much better than listening through the CAT. It is extended, articulate and not attenuated the least bit. This improved the fullness and impact of the presentation greatly. It is quite amazing that my Analog system has bass potential that I was not even getting close to with the CAT. This alone has me seriously considering buying his unit.

As you would expect from fine solid state, the music had fine detail and transparency was at a higher level than you would expect with tubes. In this regard it was better than the CAT. Due to the transparency, the soundstage depth and width was very apparent. Dynamics were also very good.

In the mids to highs, music through the CAT had a richer and more immediate quality. Brass sounded brassier with the CAT than through the Essential. In comparison, music through the Essential had a detailed but lean, soft and relaxed presentation compared to the CAT. It comes down to which is more correct, which has a coloration and what does one prefer. Also, the Essential has some trim pots that allow extension or attenuation of frequencies above 20KHz. Raul believes that this observation would have been ameliorated by extending the frequencies.

Through both preamps, we heard slightly tipped up high frequencies in my system that Raul believes is not a function of either preamp. The most likely culprit is the frequency balance of the speakers or room acoustics. Therefore, I may need to address this problem first. Nonetheless, you can’t go wrong with the Essential 3150. It really is like a tool.

The other thing I will try is replacing the tubes in the preamp. They are about two years old and have been used extensively. Ken Stevens from CAT believes that this will improve the level of the bass, articulation and transparency across the entire frequency range. It will be interesting to rehear some of the tracks we played after this. I also would like the chance to try the Essential for a week instead of the 5-6 hours we took as well as compare the line stage performance.

Overall, the Essential 3150 is a seriously good preamp and is probably better than most commercial solid state and tube units. If you have a chance, give it a try. In my case, I’ll first try addressing the speakers, seeing if the new tubes make a difference and hopefully spending more time with the unit.

Andrew
aoliviero
Dear friends: One other aspect that could help to understand the Essential quality performance is that is designed through bipolar transistor technology and that is build through only two gain stages.
I don't know any other active high gain Phonopreamp out there ( SS or tube ) that using bipolar transistor has only two stages. Btw, the V-caps that the Essential is using are the Teflon ones.

Regards and enjoy the music.
Raul.
Dear friends: " Brass sounded brassier with the CAT than through the Essential ".

From my point of view I would like to address this misunderstanding:

other than many critical design differences between the CAT and the Essential 3150 there are at least two important subjects that make a huge difference in the quality sound reproduction that we perceived through both units: with the CAT and with out music you could hear a radio station ( very clear ) through the Andrew's speakers and a very significant tube rush. Only these two issues makes a difference against the non-distorted/non-colored Essential performance.
In my humble opinion there is no " thin " Essential sound, there is a truer to the recording neutral/purer sound.

With the CAT the sound was not " brassier " but bright and almost harsh and with the Essential was: well " brassier ".

We have to remember that in some ways we are hearing a different frequency reponse from those units.

During my trip I never try to compare between the Essential and the other Phonolinepreamps, what I want it is that the people hear the Essential, that the people could hear something different from what they already have.

All these people already have the opportunity to hear the Essential in their systems only for a few hours (Paul/Doug heard it for two days ), I suggest that any one of you take direct contact with Desmond and Matt ( Essential owners ) to know more about the quality sound reproduction on the Essential 3150.

Regards and enjoy the music.
Raul.
Raul, perhaps you could explane the "cartridge floating" balanced configuration you mentioned.

Also, any thoughts in this context about the Lloyd Walker's phono stage which is another attempt at no compromise?
Gregadd, pardon me, didn't mean to hit a nerve. Just noticed Albert Porter had Lloyd's table; there were a few other phono stages mentioned; and I was hoping to hear some more familiar reference points for those of us who haven't had the pleasure of a visit from Raul.