New Maplenoll Ariadne owner needing advice

however it was the main air bearing sleeve which was missing when I got the table. Some nice man in Europe has the rest of the parts from the arm so at least it helped someone with their 'noll. I alos love linear air arms, but it just wasn't meant to be in this instance. I've considered an ET-2 or either of the beautiful more modern arms like the Kuzma, Walker, etc., I just haven't felt
the need to add yet more levels of complexity, etc. as
I've been fighting head amps and carts. Anyone else have
a radical tonal shift in their room/system when they change from analog to CD?

C'mon, you know that last statement made you smile...

Update on my Maplenoll tweaks. I have completed my tonearm construction and began the wiring for the arm. The arm is a yamamoto headshell attached to a carbon fiber tube(0.5"OD). The wiring is teflon coated silver wire(0.003") and will run from the headshell to the Phono stage. The arm is clamped to the air bearing spindle and is easily adjustable to set overhang. I have included a pic of the new tonearm on my system pics. Next step is to install/align the z-lift to provide an easy adjustment for VTA. This arrangement will improve the stiffness of the linear arm while providing an easier way to adjust vta. once complete, i will include the pics of the table mods on my system description.

Oilman: Quite exciting. Very professional job. Looking forward to your comments on performace , ect. in the near future.

Update on my tweaks to my Maplenoll. I have installed the zlift, graphite armtube and new headshell. I have decided to go up a couple of sizes with the silver wire because of difficulty with the O.OO3 wire. I will use 0.008 which is still much lighter than the existing wire used on the stock maplenoll arm. My fingers are just not nimble enough!:) I am currently using the wire from the old arm so I have gotten a chance to test fire the setup. The arm is much lighter so I had to remove one of the counterweights to get the system balanced. Now the exciting thing is with the zlift, I can do on the fly VTA adjustment which has allowed me to fine tune my vta while actually listening to a record. The movement of the adjustment is very smooth so there is no skipping or bouncing of the stylus while adjusting the height. The Zlift is a very ridgid and no free play at all. The lift is securely fastened to the plinth and the air bearing spindle is attached to the lift. The results are impressive. When you can hear changes while making the move, its much easier to find the sweet spot. The results with the carbon fiber arm and optimized vta are a stronger/solid bass response, wider soundstage and more clarity. WHat I mean by better clarity is that some albums I had some distortion or muddled sounds particurily with female vocals (stevie nicks on Rumours album as an example). That distortion is gone.

All in all, I think the modifications have improved the table in particular the stiffness of the arm assembly and the ability to easily adjust VTA.

I still have to install my damping trough and I am going to go directly from the arm wiring to my phono stage to see what improvement less cables will provide. I have included 1 pic on my system profile and will try to get some better pics up soon

Congratulations! sounds very cool. I'd love to see a good picture of the Z lift arrangement.

.008 is quite thick and may have adverse effects on tone arm movement. The wire I use is much thinner than even .003. It is a pain to work with but worth it.