of course listening to an MP3 is not a "professionally accepted" way of auditioning anything. I didn't use MP3s to audition the 'table or any other product. However, I was fascinated to find that even reduced to an MP3, numerous correspondents were able to describe the Monaco's sonic character listening "blind." I certainly think the Monaco is a "top tier" 'table and never meant to imply anything but that. Same with the Kuzma ref and Airline arm but that system sounds bright on top as did the Avid Acutus I reviewed. Audio products have sonic character. If you remember I suggested the Dynavector XV-1s cartridge as the ideal compliment to the 'table's character. I agree with whomever described the Monaco as a"time machine." Its rhythmic sense and pacing abilities were clearly outstanding as was its bottom end extension. However, I believe part of that is because of the midrange issues I described, that are in part due to the stand issues I noted with the B&K accelerometers.
Grand Prix Monaco review in new Stereophile- OUCH
Anyone read Fremer's review of the Grand Prix Monaco in the latest Stereophile?
Ouch that has to hurt. I am familar with the design of this table, and of course on paper it seems groundbreaking, but if I were in the market for a $20K table, (I'm not) this review would completely kill my interest in this seemingly stellar product.
Any other opinions?
(actually this is a great issue of Stereophile - lots of gear I am intersted in)
Ouch that has to hurt. I am familar with the design of this table, and of course on paper it seems groundbreaking, but if I were in the market for a $20K table, (I'm not) this review would completely kill my interest in this seemingly stellar product.
Any other opinions?
(actually this is a great issue of Stereophile - lots of gear I am intersted in)
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- 142 posts total
- 142 posts total