I have been enjoying the beta release of the new K&K Audio 3 stage, fully differential, transformer (Lundahl amorphous of coarse) coupled phono pre now for several months. In every way it out performs the SE version. Dynamics, sound staging, flow, pace, transparency, natural timbres, etc. I haven't heard anything better. At Kevin's suggestion, I recently replaced all grid-stopper resisters with smaller value 10 ohm Audio Notes. Nice improvement. Music is even more incisive with better dynamics. I've been so impressed with it that I've rebuilt my line stage with the same circuit as stage 3 of this phono pre. When the retail version of this unit becomes available they will be pricey ( all that Lundahl iron, 2) LL1931 MCs, 2) ITs and 2) line out , plus large PS trannie and choke ), but well worth checking out.
Stand out phono stages
This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
- ...
- 403 posts total
- 403 posts total