Speaking of the holidays, I'm going from a surprising good little NAD PP2i to a Ear 834P. I found the sound from the NAD using a Denon 103R/TNT MkI to be decent but lacking the "spirit" and low end response which I could hear using an Lazarus preamp. Of course the Lazarus was not MC compatible w/low gain and noise, (though it was a cascode amp with two 12AT7 and two 12AX7). This move should provide a decent MC tube preamp experience with the noted front end. I do like the sound from FETs amp circuits (low noise/great dynamics), and believe I will be headed to some type of SUT/FET/tube preamp setup, but hope the EAR will hold my interest for a little while. It great to get back into vinyl!
Stand out phono stages
This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
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- 403 posts total
- 403 posts total