Stand out phono stages


This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
pedrillo
The phono stage in my Rowland Concentra integrated was stellar. That said I have been listening to MM cartidges latley and settled on A Soundsmith Boheme cartridge mated to there top MM stage. I have just spent the last three weeks on the power supply adding more filtering and I cannot believe how good the stage is. I have another power supply on the back burner and waiting for parts to complete. I am not opposed to dumpster diving for records and at present the system extracts very good results from bargain bin vinyl. Good mint vinyl really shines--very easy to listen to.
Waltroman

Did you modify the Soundsmith MMP or MMP3? Could you be a little more specific on what you did. Also could you comment on the soundsmith phono stage performance stock?
The two best Phono Stages I have heard (and I have heard many) are the Tom Evans MASTERGROOVE and the Allnic H3000V.

The mastergroove is the most accurate, neutral, distortion free phono I have ever witnessed but I use and prefer the H3000V.
Dear Lotus: For your post: can I assume that you prefer a non-neutral,distorted, non-accurate and colored performance?. Good for you.

Regards and enjoy the music,
R.