Reel 2 Reel

dear jsman, i compared the transports on the otari 5050 and the otari mx-55n, and there is no comparison. the mx55 ff- rew- and plays and comes to a gentle stop "on a dime". the 5050 i saw had jerky starts and stops. not bad enough to cause any problems of course- it is still much better than teacs and entry-level tascams. compares nicely with studer decks (although people do get emotional over which is better, german or japanese engineering and sound quality). BTW, an mx-55 in good shape will cost you some major money.
as for AMPEX, PLEASE! that stuff is for recording engineers!
i bow in humility before anyone with the ability to set up and use ampex's, scully's, MCI's (sony's professional line), etc.

Well- OK, I have used the very same machine to record LPs and CDs that I or others have released. Its not any harder to set up than other machines are though- and sooner or later they all need it- you either do it yourself or have someone do it regardless of the machine.

What's nice about it is that you get nice record/play all vacuum-tube electronics. They have so much output that you can drive your power amplifiers directly while driving 30 feet of interconnect. The result is... even more transparency.

I have an old Revox G36, which I need to resurrect.

Charlie

Topoxforddoc,

nice machine. not the greatest ergonomics but nice sound.

While I am thinking about it, any of you know anything about the Sony TC 765?