Grand Prix Audio Monaco Turntable


FYI, Hi Fi Plus (an excellent UK audio magazine) just did a very thorough review of the Monaco turntable. I have had the turntable for a year and think it is incredibly transparent and very involving - you really get pulled into the music. I could never explain why I found the turntable so engaging, but I think Roy Gregory has done a very good job of explaining why. I have had the VPI HRX and am very familiar with a number of the high end tables (e.g., the SME 30 and top of the line Brinkman)and thought those tables were very good, but I never had the same connection with the music as I do with the Monaco
cohnaudio
Very interesting, but speed accuracy to a reference is only part of the picture and much less relevant than speed stability, millisecond to millisecond.
Sure, if speed stability is in question then you should be able to hear one source run a bit behind,then eventually catch up again to achieve the .00008333% error after 6 mins. That should be something noticeable during the test but it didn't happen on mine. :)

I didn't get to add, ideally I'd like to have the turntable on the left side of the headphones and the cd player on the right side of the headphones but I don't have the right cables for such.
I would think that instability such as that caused by belt slippage would show up as momentary lagging on transients that would then not catch up. Instability caused by motor issues wouldn't show up at all in terms of noticieable echo, but would be much subtler involving tonal cleanliness especially in the high frequencies. This is what Michael Fremer was concerned might be happening with the Monaco.
If one has the time(because it is an extremely long article)the Peter Montcrieff article on his E-mag(IAR)has some thought provoking information,which gives creedence to the subject.Very long winded,but very good too!
Best.
when both speed accuracy and stability is achieved to a high degree the music attains a solidity and tonal integrity which must be heard to be appreciated. my Rockport System III Sirius direct drive motor......"yields speed accuracies on the order of 10 parts per million with absolutely zero torque ripple".

it also has a servo which totally corrects groove modulation on musical peaks. this aspect of speed stability cannot be stated too strongly. every belt driven tt and many direct drive tt's will be effected by groove modulation (kickback from the additional friction) and most listeners assume the effect of groove modulation is in the recording. it is only when you hear the recording played back without any groove modulation that it's affect is recognized. on musical peaks you might assume it's your amp or speakers are distorting.....but it's only the slight speed hesitation which causes the distortion and momentary loss of musical flow and cohesivness.

hearing a concert grand piano Lp played back at high volume on the Rockport is revelatory. lots of dynamics and overtones.....any non-linearities jump right out. then on anything else.....not the same.

Peter Montcrief's article summarizes the advantages nicely.

i have played CD's along with Lps on the Rockport....and the timing is perfect.....the problem becomes the space between cuts.....which do not always match.

there is more to tt performance than speed correctness; but music is mostly a matter of timing.....getting it right is much of the challenge.