Loricraft Record Cleaning

I've had a Clearaudio Matrix since they first came out some years ago and wouldn't even consider another rcm. Three of my 'phile friends were so impressed with mine that they too purchased the Matrix.

As for the Double Matrix, I saw it demonstrated at CES a few years back when it was introduced but I didn't like the idea of not being able to see the underside of the lp as it's being cleaned. Actually, the Matrix is already quite fast, waaay faster than any Loricraft, so cleaning one side at a time is not that big a deal.

Yah, the Matrix is a bit noisy but big freakin' deal. It's only noisy when you turn on the vacuum but you can sure tell from the sound it's sucking every last bit of fluid and crud out of the grooves.

They're also extremely well built and you don't have to worry about over-heating if you decide to spend an afternoon cleaning records. You can't say that about the VPI's.

Lastly, none of the Clearaudio rcm's are cheap, especially with the value of the dollar dropping compared to the Euro, but in my mind it's the one to beat.

Rfogel8: On the lower end Smart Double Matrix, they put a mirror below the record so you can see the other side with a little side lighting while it cleans. And you don't have to worry about too much vaccuming (more than 2 spins on a VPI generates a lot of static, whereas the Smart Double Matrix has the the grounded carbon brushes to remove the static after vacuuming.

Cytocycle, I've been going to CES for many years and always make it a point to check out all the toys in the Musical Surroundings rooms. This year I again looked at the Double Matrix while chatting with one of Garth's reps. I specifically asked him about the carbon brush you mention and also got current pricing.

Even though there's a mirror and light, it's still difficult to clearly see what's going on. Besides, you're going from $3600 for the standard Matrix, which is a killer machine, to $5200 for the Double Matrix. I'm not so lazy that I can't clean one side at a time plus I'd rather take that extra $1600 and spend it on vinyl.

As for the carbon brush, I really don't see the need. I've had my Matrix 5 or 6 years and NEVER had a problem with static after cleaning a record. Neither have any of my three friends who own the same machine.

All these little add-ons and so called improvements do nothing to make your records any cleaner but they certainly give Clearaudio another excuse to raise their prices which they frequently do.

Rfogel8: I agree the prices are nuts now, the Clearaudio's don't have as big of a static problem because of the vaccuum pad is microfiber instead of the felt on the VPI. I keep mentioning the static issue because it was a HUGE problem for me at my house and using a carbon brush to dust my album on the turntable required a zerostat hit...
Yeah the prices went up so I went with the less expensive Smart version because I couldn't afford the smart Matrix.

I only mentioned the anti-static stuff because it was one of the reasons I was looking at buying the Loricraft because of they don't generate static when they vaccuum, I was considering the Loricraft prior and decided on the Clearaudio because I didn't want to do the string spool mod, plus I talked with a bunch of owners and you really need to step up to the 4 model to get the stronger pump to get a completely dry record as the base model sometimes
missed sections.

The other RCM I considered that was cheaper than the Clearaudio was the Hannl, but that was really hard to find in the US.

Cytocycle, I live in Michigan and have a forced air furnace with a flow through humidifier yet the air still gets pretty dry in the winter. Even so, I have no static problems with "cleaned" records. If you're wearing shoes around the house, particularly with rubber soles, I don't care where you live, you'll have problems.

I've heard that some carbon fiber brushes will cause static build-up and while I occasionally use one I really don't notice problems in that area either.

You might want to play around a bit with the ground wires to your table, arm and phono stage. Perhaps the problem lies elsewhere or at least part of the problem.