How many People own Working Reel to Reel Decks?


I just bought a very nice condition Revox A-77 on Ebay and I have to say I love the sound of tape. I wish I had done this years ago when it made more sense. I see that good quality reel to reel decks are getting snapped up on Ebay and I am wondering who is buying them and what they plan on listening to (prerecorded music or tapes they make). How many people here on audiogon actually own a reel to reel that works and they use it regularly? Thanks.
Mark
mepearson
Funny, because topics like this comes about just as over the past week or two I've been looking at eBay and seeing the reel to reel. It is something I have never owned but am curious in. I think one day in the foreseeable future I may spring for a good reel to reel. I just need to read up more on models and quality etc. But I find this an interesting thread because of its timing for me. Three weeks ago reel to reel would not have crossed my mind. Within the last two weeks it's been lurking in my head and bang now a thread on reel to reel here... Strange?
mercy of the engineers? Add to that the mercy of all others in the production chain. I have Miles/Blue in all media, reel, lp, cassette, cd, sacd, sacd hybird. I know no eight track, but hey some has to be missing.

It never amazes me that all can sound so different. I give the edge to the sacd hybrid since it is not mixed, but rather a three channel production from the original mono, not mixed but corrected for the original tape speed problem. Here is an instance of a great master which leaves any short comings in the final product to others.
Sad to say, I've owned some great reel decks and, for various reasons, parted with them. Teac 6300, Akai GX-747 and a Pioneer RT-909. Wonderful sound but as tapes get more scarce, harder to maintain much less build a collection.
Les-I was reading your mind! You need to be very careful when buying a reel to reel. Any ad that states the seller has no way to test it can be translated to say that the deck is broken. In fact, unless the deck is coming from someone who has just gone through it and cleaned it, lubed it, put on new belts, adjusted the brakes, etc., it probably won't work correctly (if at all) when you get it. Better to pay more for a deck that is in good shape and ready to roll than a "bargain" that needs a bunch of money dumped into it.
And Tiger, you are correct, there are many chances to make a bad master tape. I have the Sony ES-9000 SACD/DVD player and I could never get worked up over the sound of SACD. In fact, I have hundreds of CDs and I basically never listen to them. I guess I am just an analog/tubes kind of guy because that is what sounds the most real for me. I have two copies of Miles Davis Kind of Blue. One is the original mono and the other is stereo pressing from Canada. They both sound real good other than the speed issue. The master tape was a 30ips tape I do believe.
Mepearson,

I hear ya! I believe the same. Reel to reel like cassette decks have lots of moving parts and it is likely not a typical to have some not operate properly. I suggest that those selling machines that may not work just be upfront. To dump your junk on another buyer is just not right. I know, I know all about caveat emptor, but that still does not make dumping junk onto others correct. Sellers should be honest and they still may sell it to a person who is into fixing things, no not as much as they may hope but so be it. I agree to be prepared to spend a little more to buy a deck that has been tested and maybe reconditioned.