DynaVector DV505 is it worth the hassle?


I have a Garrard 301 with a SME3009 II improved arm. The table is coming back from ZU audio with a new ZU DL103 catridge and their Xaus tonearm cable. While waiting for the table, I happened upon a really good deal on a DynaVector DV505. It looks cool but it appears complicated to set up and use. I'm somewhat of a novice and just joined AudiogoN. Any opinions about the DynaVector arm would be appreciated. By the way, Sean Casey and his crew at ZU audio just blew me away with their level of customer service. Unbelieveable!
eriksdad
Lewm, pls look up the arm on the Dyna website. The Dyna is 2 arms in one. One for horizontal movement and one for vertical movement. Theoretically, that is what is most desired in a tonearm but has it's own working quirks like Albertporter mentions.

Designing a tonearm like this, you can achieve very high effective mass horizontally and low effective mass vertically. It's hard to explain. You have to see how it works. Idf you see the picture, you can figure it out.

Dear Lewm: Take a look to the 505 manual here:
" 6. Arm resonance in low frequency range " , it is very objective to understand what you ask.

Now, the 505 has a low effective mass ( sub-arm ) against the main arm. It is light, you speak about the 15gr headshell weight but this is the weight not the effective mass that has a direct relationship from at what distance ( from the pivot ) is that weight ( 15grs. ) that in this case that distance is extremely short and this fact gives ( on the vertical way. ) a lower effective mass than the 15gr. weight.

Here it is what you can read on the 507-MK2:

" 2. What is the bi-Axis inertia controlled tonearm.
The tonearm is required to fulfill two functions so that the cartridge can reproduce the exact signal from the record groove. One of these is to hold the cartridge stationary at audible frequencies so that the stylus and cantilever motion is translated into a music system without losses.
The other is to allow the cartridge to track warped records.
These require totally contradictory properties from the tonearm and so all conventional tonearms are a compromise between the two.
However, a very reasonable solution exists in the bi-axis tonearm.
The bi-Axis inertia control tonearm is in effect two arms in one - the main arm beam has an effective-mass that is 3 or 4 times higher compared with conventional tonearm
but moves only horizontally. On the other hand, the sub-arm has a lower effective- mass than any conventional tonearm but moves only in the vertical direction.
This combination means that the high effective-mass in the horizontal direction holds the cartridge steady at audio frequencies, especially at low frequencies and high groove excursions, whilst the low vertical effective-mass allows unmatched warp riding performance. "

Lewm, you can always ask directly to Dynavector whom can/could give you a lot better explanation that I can.

I think that we can give you only what were/are our each one experiences with that tonearm design.

Regards and enjoy the music.
Raul.
I get it. The vertically pivoting portion of the tonearm can develop a relatively high effective mass AND be "light" in weight at the same time, due to its short length. I am especially intrigued by Raul's mention that it can be used with no drilling, by fastening it to the mounting board with double-sided tape.
Lewm, ONLY the 505 can be fastened to the amrboard without drilling. The 507 is another story. You need to drill to install the 507.

Hope this helps clear things out.
I am also considering a Dynavector for my new Raven. In my research I came across another curiosity. Dynavector uses Stevenson's alignment rather then the more common Lofgren or Baerwald. Is this something to consider when choosing an arm or are the differences really just academic?