Tape Project Tapes

DUMB POINT #4- I have 4 (out of five) decks that run at 7/15 ips, with half-track heads (two with a fourth head that plays quarter-track tapes as well). i could definitely even go for a 15ips tape SANS fancy packaging, serial-numbered, etc. (i want a metal reel though of course). all of them except for one i believe have NAB equalization- the one deck has a switch. i could offer "someone" maybe a hundred bucks to "try" a tape that runs as close to my musical tastes as possible. but that is about it for me (watch, i'll sneek out one day and spend the $329- IF it will play on a teac or an otari NAB deck). but i think my brain works pretty much the same as everyone elses when it comes to what i MUSIC i can buy for $330 bucks. harmonia mundi or astree cd's? LP's of the new york philharmonic or the cleveland orchestra? OTOH, TO ME, a bill evans recording ain't no big deal (even though i have an XRCD of his anyway- what the hell- it was an experiment). anyway, i am done here. sorry if i ruffled any feathers, because i am sure the genuine article is well worth having. i just wanted to offer some alternative viewpoints and suggestions. i have 5 reel-to-reels for goodness sake!! peace.

You say you have 5 R2R decks!!!!!! and none have the ability to play TP tapes? Well consider downsizing to a couple or maybe even one, that should help you afford the cost of what you may need.

Mr. Jsman, several of the aforementioned tape recorders can playback the tpt's. only 2 of them lack the ability (via a simple switch) to play IEC equalized tapes-the prosumer teacs, and only ONE lacks the ability to play at 15ips. plus i could always dub the recording onto that deck turning at 7.5ips as well- i'm sure with excellent results.
the reason for 5 decks? check out the Teac A-6100 Master Recorder, which i picked up for "a song", with 4 heads and wooden side panels. or an X-2000M, a modernized version of the A-6100 with an autolocater, DBX-1, and a spooling feature. i used to have this "urge" to see what vintage machines would come up for auction- some of them are real jewels- (i.e.- the teac 35-2 had the option of connecting your recording preamps directly to the heads). BTW, none of them cost me a fraction of what i spend on high-end audio. AND, when you need parts for Teac or Tascam decks (for the newer models of course), you call or e-mail them in california, they ship them to your door.
i can afford the tapes btw. maybe one day...

Sorry i'm late to the party here; i am a Charter subscriber to 'The Tape Project'......and have 6 of their releases so far.

i am a format junkie; i had always heard that however much i thought vinyl was the best format that master tapes could go to another level. up till now; there had been no way for one to 'legally' aquire top level 15ips master dubs. finally; 'The Tape Project' offered top level RTR software......which then motivated me to finally jump in.

back in High School; my first 'stereo' was a Wollensack RTR machine.....which i very much enjoyed. i think RTR machines are very cool, however they sound.

i've now purchased 4 RTR machines; i possess 2 of them; a completely refurbished ATR-102 which is stock; and a Technics RS-1500; which is very good condition but still stock.

i also own a Studer A-820; which has been fully gone thru by Studer guru Fred Thal; Fred is installing some custom output electronics on this and 'hopefully' he will deliver it to me and set it up in my room 'shortly'. i have never seen this deck.

i intended to have Doc B. rework the stock RS-1500 and add his Bottlehead repro electroinics. then a couple of weeks ago i was offered a Tim deParavincini modified RS-1500; so i purchased it. it is in route from the U.K. now. i still want Doc B. to do the work on my stock RS-1500; but i blew my budget with the dPv deck; so i am in negotialtions with SWMBO.

the Tape Project tapes are very very good. played thru the stock RS-1500 they are on a performance level likely slightly below my tt; maybe equal to a good tt. played thru the stock ATR-102 they are a few levels better; now they are different but more similar to my tt. they don't have the dynamics or do space as well; but the world class rock solid transport of the ATR does yeild a rock solid base to the music which approaches the Rockport if not quite as good. RTR tape has a continuousness which is very special; and no clicks or tics. overall; the Rockport is better......but then the Rockport pretty much kills most other tt's too.

i own about 100 7 1/2ips commercially recorded RTR tapes, of which 10 or so are 2-track, and another 10--3 and 3/4 ips tapes. a few of the 7 and 1/2 ips tapes are pretty good; but none approach the Rockport tt level of performance. personally; i would have zero interest in any 7 and 1/2 ips tapes as they can't reach 'very good' vinyl performance and would cost more with far fewer software choices. the 15ips tapes have the potential to be as good as there is. not to say that others may not desire 7 and 1/2ips.

i must qualify my RTR perceptions by saying that stock output electronics on these RTR decks is a serious drawback compared to what is used by my vinyl. i plan on upgrading the ATR and RS-1500 output electronics; and the Studer and dPv will both have top level output electronics; so until i have those units and the other's upgraded my take on the performance comparisons is preliminary.

my agenda is to eventually choose which of my 4 RTR decks i prefer and then likely sell the others; i want tape in my system permanently but there will never be enough top level software. hopefully; 'The Tape Project' will continue for 4 or 5 years and i will end up with 40 or 50 wonderful 15ips tapes.....but i have 4000 shiney digital discs and 8000 Lps.

I have to echo a lot of what Mike has just said. I did have Doc B modify my RS1500 (which had the cosmetics and transport fully restored by Jeff Jacobs at J-Corder). I use the Bottlehead Seduction tape head pre too.

I was a late charter subscriber to the Tape Project so to date have only got the first two releases. I am still in the break-in period on the Seduction at about 25 hours, so have a way to go.

Like Mike, my perceptions of what I am hearing on the TP tapes is somewhat skewed by the fact that I am trying to compare what I am hearing based on what I hear from "that other" world class turntable, my Walker Proscenium.
I think the Walker has the edge in my system.

The tapes are a different listening experience all together. They sound nothing like digital, yet they sound unlike my tt. It is analog for sure, very quiet, but lacking the sense of air and space around the instruments that the Walker does so well. The music on TP001 and TP002 were unfamiliar to me prior to getting them, and is not really my cup of tea so it's hard to make any hard and fast comments.

I expect to be getting the next four tapes within a week or so and may be able to comment further.

Like Mike, I am an analog format freak, and hope that the Tape Project continues to release 15ips tapes for sometime to come.