New Re-Issue Vinyl: Surface Noise, Ticks, Pops....

I think it must depend somewhat on what one buys. I mostly buy classical, and have had very good luck with the European pressings from Speakers Corner. Out of about 30, I sent two back. My luck was not as good with Classic Records--out of about 20 I sent about 4 back. On the jazz side, with both Speakers Corner, Classic Records, and Cisco, I've bought fewer, but I've sent none back.

On the 2nd hand side, I've gotten to where I just expect some minor surface noise and a short scratch here or there. Given that we're dealing with vinyl discs made mostly 25 or more years ago, to expect more is unrealistic, it seems to me.

I clean almost all of my records before play, with VPI and MoFi fluids.

Wow. as I read this thread, I am listening to Brian Wilson Smile. not a reissue but a new 180g pressing on rhino. Bought it "used" but looked mint to me. ran it through the vpi 16.5 before playing it the first time. terrible! pops and clicks throughout. ran it through the vpi again. better but not good. ran it through the vpi a third time, with a 15 minute soak per side on the enzyme step. better but still not great. don't get me wrong, this is a fantastic piece of music, recored extremely well. I bought the cd when it first came out and was floored by how it sounded. I thought the lp would really take it over the top, and it does . . . but . . .

seriously. I have bought records at salvation army that are 70s/80s vintage and not very clean. with a little effort many clean up and sound great. this album should be "audiophile" all the way but the pressing does not do it justice. I don't know what causes these pops but if 3 cleanings doesn't get it off, I think it ain't coming off. it's embedded in the vinyl somewhere, imho. not just one spot but throughout 3 sides. eh, for 20 bucks what can you expect these days I guess.

Pbb's assertion that vinyl is a crap shoot doesn't ring completely true.

Regarding current releases, I totally agree. As a matter of fact I stopped buying new albums and reissues. Occasionally you'll get a record that is not warped and sounds decent but for the most part, they stink. At $30, $40, $50, and more per pop, it's downright silly not to seek out nice pre-owned original copies.

However, it is disingenuous to lump all vinyl under the "crap shoot" umbrella. In days gone by, the golden ear of vinyl if you will, there were very few quality problems.

At least in my experience spanning back to the late 50's.

I never really gave this much thought until I read your posting Theo.

Over the past ten years I have bought close to 700 new and reissues recordings, mostly Jazz.
On occasion I buy select first issue, mostly 1950s Jazz.

Going on for 25 years I have always cleaned and vacuumed before play.

The few I returned with problems over the years were mainly do to a bad warp.

Recently one that stands out was Classics superb reissue 45 rpm box set of Harry Belafonte at Carnegie Hall, all but 2 were warped.

No problem, the dealer Diamond Groove flattened my copy in one of those LP cooker flatting things.
The few times I was in their store, there was always a stack of LPs waiting to be flattened. A time consuming process thats for sure.

A record cleaning machine is a must if you collect vintage vinyl and buy new releases.
For the past year I have been using Walkers active enzyme method of cleaning with par excellent results.
I'm sure there are other methods that are equally effective, however this is what I use.

Pops and ticks are very few and far between, actually this has never really been an issue with the majority of new and pristine used Lps that I have bought.

Zargoz, I have a copy of Brian Wilsons Smile, Iv'e only played it a couple of times and first out of the sleeve it was very quiet and an exceptionally good recording I found.

It makes me wonder what the previous owner of your copy put on the Lp to clean it.

Quality control no doubt varies. I have found Speakers Corner to be consistent especially with no humps.

There have always been quality problems with pressings. I am soon to be 57 and remember very well the days when vinyl was all there was and having to bring back something like every third or fourth album because of bad surfaces or warps or a combination of both. Do you remember when LPs were shrink wrapped whuile still warm and the plastic wrap would twist the vinyl as it shrank and the record cooles? European and Japanese pressings were normally the exception, everything pressed in North America was prone to all manner of defects.