Koetsu Urushi: Blue Sky, Vermillion, Tsugaru


Does anyone have any knowledge or experience about how these Koetsu Urushi models differ in sound? I know the Blue Sky and Vermillion have lower output, and that each have different coil materials, but how does this affect the sound, particularly the sound of the highs?
warjarrett
It is very hard to listen to more than one Koetsu.
You are talking 4000.00+ list per, most stores cannot afford to have more than one setup on a TT. I do not know of any stores that will let you take any cartridges home never mind a Keotsu or a few of them. The cost to set them up just to listen to the differances would not be cost effective. I read lots of reviews and talked with people who have frontends like mine before I desided to purchase mine. Purchasing a cartridge is really a crap shoot. It is like a matress, you do not know till you use it and it also has to get broken in to see if there are issues. IMHO.
Lewm said:
"It seems popular to bash the Koetsu line these days, but the Urushi still gives me great pleasure, and I now own several other cartridges with which to make comparisons".

I own a Jade, but will be buying a second cartridge soon.
Let's say in the $2,000 range new. Just curious what other carts you like along w/ your Urushi. I am considering the
EMT tsd-15 at the moment. I see this thread is on the quiet side as Koetsu threads tend to be, so figured I would hijack it. Thanks in advance.
Dear Doug,
I don't get it, but I am not offended. Now that I have widened my horizons, I realize the Urushi is not the be-all and end-all. Since you are a UNIverse aficionado, it is not at all surprising that you would not care for Koetsus (assuming that was the intended message of your prose poem). I have never heard any other Koetsu, but the Urushi is not guilty of the myriad of shortcomings ascribed to the breed, only some of them. Nevertheless, I still hear a certain quality in the Urushi that causes me to keep it around. It sounds particularly terrific on my Kenwood L07D turntable, for some reason. It also helps that I was able to purchase it in Tokyo for a fraction of the list price everywhere outside Japan.
Lew, I have the plain old vanilla Koetsu Rosewood, and I agree coupled with a DD table you seem to get the best of both worlds.
The great tone of the Koetsu and the speed and control a well engineered DD table.

cheers
Dear Fjn04, Like most of us, I like what I have or what I have heard. I happen to have a Colibri, which is the yin to Koetsu Yang (or vice-versa), but I like it too. In a head to head, I might have to rank the Colibri above the Urushi. I also have an Ortofon MC7500, the grandfather of the MC A90. I still have not plumbed that one for all that it can probably do. I've been playing with MM/MI cartridges, too. The Azden 50VL is conceivably a better all around cartridge than many of the expensive MCs. I am very interested to hear the latest Transfiguration and Lyra cartridges, especially their mid-priced ones. Downunder makes a good point; when you combine the Urushi with a very good direct-drive turntable (like his P3 or my L07D), there is synergy.