All,
The thing about a Triplanar mounted on a good turntable reminds me of the old Fred Astaire movies. Fred didn't need Cid Cherise to create the illusion of working with a great partner, although Cid was one of the best (RIP Cid).
Fred could can dance with a coat rack and make you believe that it took dancing lessons. Similarly, a Triplanar on a good turntable will make an awful lot of otherwise pedestrian cartridges sound good.
Some thoughts:
1. The venerable Denon DL-103r. Palasr and Salectric have written some provocative comments about this combination. I cataloged some of their comments on Audiogon in this thread:
http://www.galibierdesign.com//phpbb/viewtopic.php?f=14&t=17
Yes, it's lacking in the audiophile tricks, but delivers the musical goods. Worst-case, you have a backup (after future upgrades) that shames many $1K cartridges.
2. Soundsmith rebuild of the Denons. Peter Ledderman is quickly gaining a well deserved reputation. I have yet to try one of these rebuilds.
3. Ortofon SPU Royal N - not your grandfather's SPU - a modern cartridge with an extreme line contact stylus profile and vivid tone colors (without robbing the top end in the manner that the vintage, conical stylus SPU's do). This is Frank Schroeder's favorite Ortofon, BTW and I agree.
4. Dynavector 17D3 (disclaimer - I sell these, so take this recommendation with a grain of salt).
5. Artisan - my buddy at Artisan audio is OEM-ing some Swiss-made cartridges in the $400-$600 price range.
About the Benz LP which I realize is out of your price range. Yes, the top line Ebony bodied Benz breaks with the tradition of a bloated mid-bass which draws attention away from unbearably bright systems. It is a cartridge I could live with for a very long time.
Cheers,
Thom @ Galibier
The thing about a Triplanar mounted on a good turntable reminds me of the old Fred Astaire movies. Fred didn't need Cid Cherise to create the illusion of working with a great partner, although Cid was one of the best (RIP Cid).
Fred could can dance with a coat rack and make you believe that it took dancing lessons. Similarly, a Triplanar on a good turntable will make an awful lot of otherwise pedestrian cartridges sound good.
Some thoughts:
1. The venerable Denon DL-103r. Palasr and Salectric have written some provocative comments about this combination. I cataloged some of their comments on Audiogon in this thread:
http://www.galibierdesign.com//phpbb/viewtopic.php?f=14&t=17
Yes, it's lacking in the audiophile tricks, but delivers the musical goods. Worst-case, you have a backup (after future upgrades) that shames many $1K cartridges.
2. Soundsmith rebuild of the Denons. Peter Ledderman is quickly gaining a well deserved reputation. I have yet to try one of these rebuilds.
3. Ortofon SPU Royal N - not your grandfather's SPU - a modern cartridge with an extreme line contact stylus profile and vivid tone colors (without robbing the top end in the manner that the vintage, conical stylus SPU's do). This is Frank Schroeder's favorite Ortofon, BTW and I agree.
4. Dynavector 17D3 (disclaimer - I sell these, so take this recommendation with a grain of salt).
5. Artisan - my buddy at Artisan audio is OEM-ing some Swiss-made cartridges in the $400-$600 price range.
About the Benz LP which I realize is out of your price range. Yes, the top line Ebony bodied Benz breaks with the tradition of a bloated mid-bass which draws attention away from unbearably bright systems. It is a cartridge I could live with for a very long time.
Cheers,
Thom @ Galibier