Feickert analogue protractor....Owners impressions

I think Dan has touched on several key points: accuracy and obsession. My own quest for alignment accuracy started many years ago when I too struggled with making sense of "universal" two point protractors (db systems, dennessen, et al). When I tried my first Wallytractor seven or so years ago (when I owned my Linn), I knew I had found the ever-elusive path to the holy grail of alignment. When I got my Triplanar a couple of years ago, I tried in vain to get another Wally, and eventually used several printed card-stock arc protractors with varying degrees of success. I think Yip's (MintLP) protractor raises the bar even on the venerable Wallytractor with regards to precision for the reasons outlined above by both Dan and myself. The only failings I can see of the MintLP protractor comes from the user's end - bad magnification, bad lighting and poor eyesight (pick your order) ;-))

I think those of us who have invested substantial sums of money in both hardware and software (I've been collecting LPs since I was 11 or 12 and now have around 4500 or so) want to pursue analog to the lunatic fringe. And yes, it can become obsessive, but that's what being a hobbyist or enthusiast is all about, whether it's audio, coins, knitting, model airplanes or your dog. We're all about extracting maximum pleasure from our investments (and ourselves with regard to our hobbies).

So yes, obsession is part of the equation, and if struggling with the minutae - accuracy of measurement, parallax and overhang seems like too much of a PITA, then that's why there's both "close enough" and the compact disc. Good listening,

-Richard

I'm finally out of that stage. As long as it sounds good I don't worry about it. I'm not one to use a 6 step, 15 minute process to clean a record either. It's simply not worth it to me. Ken's is the easiest protractor I've ever used. The MintLp certainly warrants further investigation but, unless, I can hear the difference it is a moot point.

Hi Again..

I just wanted to explain how I get my overhang with the Feickert. (there seems to be some confusion about needing additional tools or protractors, and multiple arc points)

1. Set up the Feickert measurement tool to measure your spindle to pivot distance. (put it in the correct hole for your length)

2. Now set the spindle to pivot distance to the arm mfg's exact length in mm using the tool..(different procedure for every turntable)

3. Now - Do not move the platter. While keeping the Feickert measuring tool exactly centered over the tonearm pivot point at the correct distance, TAPE the platter with masking tape so it cannot move at all. (After taping you can remove the tool or leave it there)

4. Now swing the arm over the platter. Adjust the cartridge so the stylus touches the only available arc at the exact mm setting from before. That is the perfect overhang for that distance. The sylus will only cross the arc at one exact point. (not several)

5. After the overhang is set, untape the platter and use the 2 grids on the Feickert to fine tune the offset angle by slightly twisting the cartridge clockwise or counter clockwise as needed.

6. Go back and double check the arc and 2 grids.
If all 3 are good you are done..

I have been getting good results this way..

Joe

Good read....

So, Out of all this great discussion. I am more confused than ever.

Is there a best way to set your arm and cartridge up to minimise groove distortions, generally sound the most musical and leave it resonably easy.

Or is a combination of eg Feikert and Wally/Mint specific to your tonearm the best way to go.