Besides steam cleaning and a basic record hygeine routine, the single biggest improvement in music over surface noise came when I upgraded phono stages. I was not prepared for the improvement, in fact.
In my case, the upgrade was financially quite modest. I went from the built-in phono stage of a mid-'80s Amber Model 17 pre to a Cambridge 640p outboard phono stage. A whole buncha noise went away with that one change, along with more clarity, frequency extension, dynamics at both ends of the range, speed, and microdynamic subtleties. And all for a measly $169.
I also got incremental improvements in surface noise with an Oracle Groove Isolator mat (I'm sure any number of mats could help here) and using the rubber KAB Record Grip. That seems to knock a couple dB off the surface noise as well.
In my case, the upgrade was financially quite modest. I went from the built-in phono stage of a mid-'80s Amber Model 17 pre to a Cambridge 640p outboard phono stage. A whole buncha noise went away with that one change, along with more clarity, frequency extension, dynamics at both ends of the range, speed, and microdynamic subtleties. And all for a measly $169.
I also got incremental improvements in surface noise with an Oracle Groove Isolator mat (I'm sure any number of mats could help here) and using the rubber KAB Record Grip. That seems to knock a couple dB off the surface noise as well.